Compose dialogues in the course of which:



 

a) Rosa and Andrew discuss the film. Rosa's impression of the film is not favour­able, therefore she sounds categoric, irritated and impatient; to convey her attitudes use the intonation pattern "High Head + Lpw Fall". Andrew tries to soothe her, some­ times he is puzzled; make use of the intonation pattern "High Head + Low Rise".

b) Rosa describes her evening at the cinema to a friend of hers in a cool, reserved and dispassionate way; use the intonation pattern "(Low Head +) Low Fall" and "High Head + Low Fall"; her friend, on the contrary, is genuinely interested and encourages further conversation: the intonation pattern "High Fall" with preced­ing "Low Head" or "High Head" or "High Head + Low Rise" could be used.

c) Andrew shares his impressions with a friend of his. The former is deeply im­ pressed by the film, therefore he sounds enthusiastic and lively; make use of the intonation patterns "Low Head + High Fall" or "High Head + High Fall". The lat­ ter is genuinely interested in Andrew's narration, and encourages further conver­sation; to convey his attitudes the intonation pattern "(Low Head +) Low Rise" and "High Head + Low Rise" should be used.

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21. Reread Text Three to discuss the following points of its style.

a) Into what distinct parts does the text fall? Give an appropriate and effective heading to each part. Comment on the variety  of stylistic treatments used for each part.

b) Is the author's attitude charged with humour or irony? Prove and illustrate your point.

c) What method of characterization does the author use? Give examples.

d)What is your opinion about the extract? Give it in a few well-motivated  sen­tences.

PROFESSION-ORIENTED QUESTIONS AND ACTIVITIES

I. Listen to your fellow-student's reading of Ex. 2, correct his mistakes.

II. Ask your fellow-student to read the compound words given in Ex. 3; ask him to beat the time if he makes mistakes in stresses.

III.Listen to your fellow-student's reading of Ex. 4: analyse his mistakes and ask him to correct them.

IV.a) Make up a list of essential vocabulary and phrases to talk films, b) Pre­pare a "micro-lesson" to practise the vocabulary in dialogues and monologues. Use the following expressions of classroom English:

1. Don't be hasty! Think it over! 2. This is probably a good place to stop. 3. You don't seem to know anything except your Fes and No. 4. It sounds ambiguous. 5. Did you spot the difference in pronuncia­tion? 6. That's it! 7. Yes, that sounds like English. 8. You shouldn't monologue on the subject. 9. You have done a good job of work-10.1 see you can't phrase it. 11. You speak too haltingly.

V. a) Define the value of good feature films in bringing up children, b) Make up a list of recent feature films of educational value that you would like to use for class discussions in senior forms, c) Suggest a few questions you might use to stim­ulate the discussion on some of them.

VI. Take up problem-solving situations 1-5 (See the Appendix). Discuss them in class.

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CONVERSATION AND DISCUSSION

CINEMA: ITS PAST, PRESENT AND FUTURE

Topical Vocabulary

accelerated  ускоренный a (- motion)

actor n (leading/character/supporting  второго состава-)

adventure film

animated cartoon

audience n

camera n

cameraman  кинооператорn

cast распределять (роли) v (~ a film; - an actor for the part; to type/ - an actor)

close-up крупный планn

comedy n (satirical/lyrical -)

credits состав исполнителей n

crime film

crowd scene массовая сцена

dialogue n

direct ставить пьесу, спектакль, сцену, мизансцену, фильм v (to - a film/an actor)

director режиссёр, кинорежиссёр, постановщик n (film -)

documentary  n

dub дублировать v (dubbed film)

educational film учебный фильм

feature film художественный фильм (features coll.)

film n (syn. movies, pictures, flickers coll.)

film v (to - a book)

film-goer киноман, (заядлый) кинолюбитель, завсегдатай кинозалов n (syn. movie-goer)

flashback "стоп-кадр"n

make отснять фильм v (to - a film; syn. to release a film; film -ing; film -er)

message основная тема, идея n

montage  n

newsreel  кинохроника n (- footage ) длина плёнки или фильма в футах, метраж 2) отснятый материал)

part n (- of the film; two— film; syn. role; to play the - of)

performance  n (give a wonderful -; get a good ~ from the actors)

photograph  v

photography  фотографирование; фотография n (syn. camerawork)

producer  n

role n

science fiction film научная фантастика

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screen version экранизация, киноверсия (syn. screen adaptation)

screen test проба на роль, кинопроба

script сценарийn (~ writer)

serial сериалn

shoot фотографировать, снимать фильм v(to - a film/a scene; to - in sequence последовательно; to - on location)

short-length film короткометражный (кино)фильм (shorts coll.)

silent film немой фильм (silents coll. syn. mute film)

slow-motion замедленное воспроизведение n

slow-moving a (ant. fast-moving)

sound n (- track)

special effects (fire/sound/light effects)

star n (~dom а) положение звезды (особенно театра или кино) б) собир. звёзды (театра, кино и т. п.)n);

star играть главные роли, выступать в главных ролях v

thriller  n (socio-political -)

translate транслировать (передавать сигнал) v(to - to the screen; syn. to adapt for the screen)

video видео, видеофильм n

video-recorder видеомагнитофон n

I. Cinematography made its first public appearance at the beginning of the cen­ tury and since that time has been rapidly developing, thus turning into one of the most popular mass media, the so-called "face" of the society. The influence of cin­ema, its responsibilities and role in the society have always been discussed.


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