What do phonetic stylistic devices deal with?
What is onomatopoeia?
A combination of speech sounds which aims at imitation sounds produced by animals, people or inanimate things. Proofs to be very important for the creation of expressive at emoted connotation.
What are two varieties of onomatopoeia?
May be direct and indirect:
Direct onomatopoeia imitates natural sounds, as buzz, bang, beep, clap, click, cuckoo, rustle etc.
Indirect onomatopoeia is a combination of sounds that echoes the sense of the utterance.
What is alliteration?
The repetition of similar sounds at the beginning of successive words. It aims add imparting a melodic effect to the utterance. Alliteration in English is deeply rude in English folklore. In old English poetry it was one of the basic principles of words. It is generally egaded as a musical support of the author’s idea. Giving it some emotional atmosphere which each reader interprets for himself ( ‘deep into the darkness peering, long I stood there wondering, fearing, doubting, dreaming dreams no mortals ever dared to dream before’ (E.A. Poe)) in graphics alliteration is used as a design component.
What is a variant of alliteration?
alliteration or head rhyme
6) What is rhythm?
-It a regularly recurring units intended to be grasped as a definite periodicity. One more feature of verse from poiseThere are exist different types of rhythm:
§ trochee
§ iambus
§ dactyl
§ amphibrach
§ anapaest
7) What oppositions does rhythm in language demand требование? . Rhythm in language demands opposition alternates long – short, stressed – unstressed, narrow – broad.
What is rhyme?
Rhyme is the repetition of identical o similar terminal sounds, chaining two or more lines of a poem. Rhyming words are generally placed at a regular distance frm a=each other. Rhyme has several functions.
1. It adds a musical quality to the poem
2. It makes the poem easier to remember
3. It effects the pace and town of the poem
What types of rhyme are distinguished?
End Rhymes
Rhyming of the final words of lines in a poem. The following, for example, is from Seamus Heaney’s “Digging” :
Under my window, a clean rasping sound
When the spade sinks into gravelly ground
Internal Rhymes
Rhyming of two words within the same line of poetry. The following, for example, is from Edgar Allan Poe’s “The Raven” :
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
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Slant Rhymes (sometimes called imperfect, partial, near, oblique, off etc.)
Rhyme in which two words share just a vowel sound (assonance – e.g. “heart” and “star”) or in which they share just a consonant sound (consonance – e.g. “milk” and “walk”). Slant rhyme is a technique perhaps more in tune with the uncertainties of the modern age than strong rhyme. The following example is also from Seamus Heaney’s “Digging” :
Between my finger and my thumb
The squat pen rests; snug as a gun
Rich Rhymes
Rhyme using two different words that happen to sound the same (i.e. homonyms) – for example “raise” and “raze”. The following example – a triple rich rhyme – is from Thomas Hood’s” A First Attempt in Rhyme” :
Partake the fire divine that burns,
In Milton, Pope, and Scottish Burns,
Who sang his native braes and burns.
Eye Rhymes
Rhyme on words that look the same but which are actually pronounced differently – for example “bough” and “rough”. The opening four lines of Shakespeare’s Sonnet 18, for example, go :
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Here, “temperate” and “date” look as though they rhyme, but few readers would pronounce “temperate” so that they did. Beware that pronunciations can drift over time and that rhymes can end up as eye rhymes when they were originally full (and vice versa).
Identical Rhymes
Simply using the same word twice. An example is in (some versions of) Emily Dickinson’s “Because I Could not Stop for Death” :
We paused before a House that seemed
A Swelling of the Ground—
The Roof was scarcely visible—
The Cornice—in the Ground—
It’s clear there is often a certain amount of overlap between rhyme and other poetical devices such as assonance – subjects to be covered in future poetry writing tips.
Tasks and exercises:
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