In a garishly decorated Los Angeles hotel suite, Johnny Fontane was as



Jealously drunk as any ordinary husband. Sprawled on a red couch, he drank

Straight from the bottle of scotch in his hand, then washed the taste away by

Dunking his mouth in a crystal bucket of ice cubes and water. It was four in the

Morning and he was spinning drunken fantasies of murdering his trampy wife


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When she got home, if she ever did come home. It was too late to call his first wife

And ask about the kids and he felt funny about calling any of his friends now that

His career was plunging downhill. There had been a time when they would have

Been delighted, flattered by his calling them at four in the morning but now he

Bored them. He could even smile a little to himself as he thought that on the way

Up Johnny Fontane's troubles had fascinated some of the greatest female stars in

America.

Gulping at his bottle of scotch, he heard finally his wife's key in the door, but

He kept drinking until she walked into the room and stood before him. She was to

Him so very beautiful, the angelic face, soulful violet eyes, the delicately fragile

But perfectly formed body. On the screen her beauty was magnified, spiritualized.

A hundred million men all over the world were in love with the face of Margot

Ashton. And paid to see it on the screen.

3 "Where the hell were you?" Johnny Fontane asked.

4 "Out fucking," she said.

She had misjudged his drunkenness. He sprang over the cocktail table and

Grabbed her by the throat. But close up to that magical face, the lovely violet eyes,

He lost his anger and became helpless again. She made the mistake of smiling

mockingly, saw his fist draw back. She screamed, "Johnny, not in the face, I'm

making a picture."

She was laughing. He punched her in the stomach and she fell to the floor. He

Fell on top of her. He could smell her fragrant breath as she gasped for air. He

Punched her on the arms and on the thigh muscles of her silky tanned legs. He

Beat her as he had beaten snotty smaller kids long ago when he had been a tough

Teenager in New York's Hell's Kitchen. A painful punishment that would leave no

Lasting disfigurement of loosened teeth or broken nose.

 

                                                              



 

 

But he was not hitting her hard enough. He couldn't. And she was giggling at


9


Him. Spread-eagled on the floor, her brocaded gown hitched up above her thighs,

she taunted him between giggles. "Come on, stick it in. Stick it in, Johnny, that's

what you really want."

Johnny Fontane got up. He hated the woman on the floor but her beauty was a

Magic shield. Margot rolled away, and in a dancer's spring was on her feet facing

him. She went into a childish mocking dance and chanted, "Johnny never hurt me,

Johnny never hurt me." Then almost sadly with grave beauty she said, "You poor

Silly bastard, giving me cramps like a kid. Ah, Johnny, you always will be a dumb

Romantic guinea, you even make love like a kid. You still think screwing is really

like those dopey songs you used to sing." She shook her head and said, "Poor

Johnny. Good-bye, Johnny." She walked into the bedroom and he heard her turn

The key in the lock.

Johnny sat on the floor with his face in his hands. The sick, humiliating

Despair overwhelmed him. And then the gutter toughness that had helped him

Survive the jungle of Hollywood made him pick up the phone and call for a car to

Take him to the airport. There was one person who could save him. He would go

Back to New York. He would go back to the one man with the power, the wisdom,

He needed and a love he still trusted. His Godfather Corleone.

 

 

1 The baker, Nazorine, pudgy (коротенький и толстый /о человеке/; маленький и

плотный /о предмете/) and crusty (покрытый корочкой; раздражительный,

неприветливый, грубый) as his great Italian loaves (буханки), still dusty with flour (все

еще покрытый мучной пылью; dust – пыль; flour – мука [flau∂]), scowled at his wife

(сердился, бросал сердитые взгляды, хмурился), his nubile (достигшую брачного

возраста, созревшую [‘nju:bıl]) daughter, Katherine, and his baker's helper, Enzo.

Enzo had changed into his prisoner-of-war uniform (переоделся в форму

военнопленного) with its green-lettered armband (с повязкой с зелеными буквами,

надписью) and was terrified (был в ужасе) that this scene would make him late

(заставит его опоздать) reporting (доложить /о себе/ = явиться) back to Governor's

Island. One of the many thousands of Italian Army prisoners paroled (освобожденный

условно [p∂’r∂ul]) daily to work in the American economy, he lived in constant fear (в

постоянном страхе) of that parole being revoked (отменено: «отозвано»). And so the

little comedy being played now (которая сейчас разыгрывалась) was, for him, a

serious business. 

 

                                                              



 

 

2 Nazorine asked fiercely (гневно), "Have you dishonored (обесчестил) my family?


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Have you given my daughter a little package (сверточек) to remember you by now that

the war is over (теперь, когда война закончилась) and you know America will kick

your ass (пнет твой зад = выбросит тебя пинком под зад) back to your village full of

shit (в твою деревню, полную дерьма [‘vılıdG]) in Sicily?"

3 Enzo, a very short (низкорослый), strongly built boy («сильно сложенный» парень),

put his hand over his heart and said almost in tears, yet cleverly (почти в слезах, но

разумно), "Padrone, I swear by the Holy Virgin (клянусь Святой Девой) I have never

taken advantage of your kindness (я никогда не злоупотреблял вашим

великодушием; advantage [∂d’vα:ntıdG] – преимущество; выгода, польза; to take

advantage of – обмануть, перехитрить кого-либо; воспользоваться чем-либо). I love

your daughter with all respect. I ask for her hand with all respect. I know I have no right,

but if they send me back to Italy I can never come back to America. I will never be able

to marry Katherine." 

4 Nazorine's wife, Filomena, spoke to the point (высказалась по сути, без дураков).

"Stop all this foolishness (прекрати все эти глупости)," she said to her pudgy husband.

"You know what you must do. Keep Enzo here, send him to hide (прятаться,

скрываться) with our cousins in Long Island." Katherine was weeping. She was already

plump (полной), homely (домашней, обычной = невзрачной) and sprouting a faint

moustache (с пробивающимися легкими усиками; to sprout – давать ростки; faint –

слабый, тусклый, нечеткий; moustache [m∂’stα:∫]). She would never get a husband as

handsome as Enzo, never find another man who touched her body in secret places with

such respectful love. "I'll go and live in Italy," she screamed at her father. "I'll run away if

you don't keep Enzo here." 

5 Nazorine glanced at her shrewdly (взглянул на нее пронзительно, видящим

насквозь взглядом; shrewd – пронизывающий; проницательный). She was a "hot

number" (горячая штучка) this daughter of his. He had seen her brush her swelling

buttocks (как она терлась своими пухлыми, набухающими ягодицами) against

Enzo's front (о «перёд» Энцо) when the baker's helper squeezed (протиснулся)

behind her to fill the counter baskets (чтобы наполнить корзины для расфасовки)

with hot loaves from the oven (из печи [Λvn]). The young rascal's hot loaf would be in

her oven (горячий хлебец этого негодяя окажется в ее печке), Nazorine thought

lewdly (развязно, цинично; lewd – похотливый, непристойный; распутный), if proper

steps were not taken (если не будут предприняты надлежащие шаги). Enzo must be

kept in America and be made an American citizen (и сделан американским

 

                                                              



11

гражданином [‘sıtızn]). And there was only one man who could arrange such an affair

(уладить такое дело [∂'reındG]). The Godfather. Don Corleone. 

 

 


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