Presenting the summary of the text



At (in) the beginning of the text the author describes (depicts, dwells on, touches upon, explains, introduces, mentions, characterizes, analyses, comments on, points out, reveals), etc.

The extract opens with...

The matter stood like this (stood thus).

The action (scene) is laid in.

The opening scene shows (reveals)...

Then (after that, further (on), next) the author passes on to... (goes on from… to…, goes on to say that..., gives a detailed (thorough) description (analysis, etc.) of..., digresses from the subject (отклоняться от темы), etc.

This is what followed next.

As the story unfolds (as the action develops) we obtain further information about the characters.

From (in) the next paragraph we learn that...

Here the extract reaches its culminating point (climax).

In conclusion the author describes (touches upon, etc.)

The author concludes with the description (explanation, mentioning the fact that...)

The extract (story, text) ends with...

To finish with, the author describes...

At the end of the extract (story, text) the author draws the conclusion that... (comes to the conclusion that...)

At the end of the story (extract, text) the author sums it all up by saying that.., etc. The concluding words are...

OTHER PATTERNS

The extract is permeated (пронизывать) with deep concern and sympathy towards...

The extract can be subdivided into... logically complete parts.

The extract is practically wholly a narrative (a dialogue, a description), mostly a dialogue and partially a narrative, mostly a description and partially a dialogue, etc.

The general atmosphere (tone, slant) of the extract is...

As the action develops (unfolds) the general atmosphere changes.

The choice of words, syntactical patterns, some expressive means and stylistic devices help the author to create this atmosphere, to enhance the effect of gloom (dramatic tension, irony), to express his sympathetic, scornful, ironical attitude to the characters, to show the misery (нищета, несчастье), wretchedness (несчастье), blissful happiness (блаженное счастье), etc. of the main characters, to accentuate tense relations between the characters, to make the description more vivid, to make the narration and characters more creditable (заслуживающий доверия) and true-to-life.

The author's sympathy lies with...

The writer depicts his characters through their speech, actions, feelings, attitude towards each other, etc.

There are also some instances of direct characterization in the text.

The speech of the characters is unemotional, inexpressive, etc.

As far as my attitude to the characters is concerned I want to say (to stress, to underline the fact that...), I think, I consider, I'm sure that, there is no doubt (no denying) that...

I am on the side of...

I sympathize with..., I fully support and understand...

My attitude to this character can't be expressed in a couple of words, because it is a very complex character. On the one hand, he seems to me..., on the other hand, I think that...

The author’s treatment of his characters seems to me brilliant (superb (великолепный), perfect, unsurpassed (непревзойдённый), poor, /un/convincing, true-to-life, realistic), etc.

The author lets the reader form his notion (opinion, judgment) of the characters by himself.

To my mind (in my opinion) the message (main idea) of the extract is the following...

It seems to me that by this extract (story) the author wanted to convey to the reader the following message (ideas, thoughts):...

I fully /dis/agree with the author in that...

As far as my evaluation of the text is concerned I want to say that, it seems to me that..., I found the text interesting, not very interesting, gripping(захватывающий, увлекательный), thrilling (волнующий, захватывающий), entertaining, merely amusing (забавный), sparkling with brilliant humor and wit, thought-provocative, too far-fetched (слишком натянутый) and not very true-to-life, dull, boring, slow-moving, etc.

The ideas expressed by the author are very close to me because...

His ideas concerning... are still important, vital (насущный) and urgent.

In this extract the author touches upon the most burning problems of mankind, the eternal problems.

 


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