Can you answer the following questions?
1. What was the Charioteer of Delphi dedicated to? How was the Charioteer characterized by Plato?
2.What does the statue called the Kritios Boy embody? How are the kouros figures represented? In what way do the kouros figures and the figure of the Kritios Boy differ?
3. What is seen in the Blond Youth? What do the irises of the heavy-lidded eyes still retain? How is the hair worn?
4. What statue of the Severe Style has come to light? Where else can we see the magnificence of the Greek athletic ideal?
5. In what style were leading sculptors of the period trained? What moment did Myron choose in his bronze Discus-Thrower?
6. What does the fragmentary Roman copy in black basalt show? Why did Polykleitos write his treatise?
Give Russian equivalents for the following phrases.
Quadrennial games; heavy-lidded eyes; meticulous system of proportions; delicate folds; over-lifesize figure; tubular masses; the dynamism of the pose; a rich interplay of changing curves; man's control of the contrary forces in his soul; bilateral symmetry; the extravagant heavy-patterned detail; a fragmentary Roman copy; the charioteer stood in a bronze chariot; the kouros figures; the Greek systems of human proportion; slab of the frieze; to stand at rest; the superb muscular structure; the transitory equipoise; the moral ideals of dignity; the lost bronze original; the magnificence of the Greek athletic ideal; bronze eyelashes; copper lips; eyes made of ivory; thickly encrusted; glass paste.
Give English equivalents for the following words and phrases.
Конная статуя; женская одежда; в натуральную величину; cтрогий стиль; ярко раскрашена статуя; мрачное выражение лица; сложные прически; римские копии; нарядные одежды; «Мальчик Крития»; ристание на колесницах; «Возничий»; мягкий контур; «мокрые» складки; «архаическая улыбка»; «Дискобол»; «Диоскуры»; массивный торс; кентавр; гиматий; бронзовые ресницы; бронзовая колесница; объем; складки хитона; греческая скульптура; кора; курос; радужная оболочка глаза; фигура неподвижна; изменения в греческой скульптуре; застыть в одной позе; передать движение; держать меч и копье; архаические аполлоны; утраченный бронзовый оригинал.
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Match the words and their definitions.
| 1. peplos | a. it marks the break down of the canonical forms of archaic art and the transition to the greatly expanded expression of the classical moment of the late 5th century. |
| 2. himation | b . an ancient Greek statue of a young woman, standing and clothed in long loose robes |
| 3. centaur | c . an archaic Greek statue of a young man, standing and often naked |
| 4. kouros | d . a rich outer robe or shawl worn by women in ancient Greece, hanging in loose folds and sometimes drawn over the head |
| 5. kore | e . a creature with the head, arms, and torso of a man and the body and legs of a horse |
| 6 . Severe Style | f . an outer garment worn by the ancient Greeks over the left shoulder and wrapped about the body. |
Substitute the Russian words and phrases with their English equivalents from the box. Give the title of the text.
| Temple; quadrennial; sculptural; closer spacing; roof tiles; columns; limestone; subtler; sanctuary; slenderer; stylobate; entasis; plaster. |
The greatest architectural and (скульптурный) project of the first half of the 5th century was the Doric (храм) of Zeus at Olympia, whose construction and decoration may be dated 470–456 bce. The (храм) was the principal building of the (святилище) at Olympia, center of the (происходящий один раз в четыре года) games that provided one of the few unifying threads in the chaotic life of the endemically warring Greek city-states. The (храм), which has disappeared but for the (стилобат) and the lowest drums of the (колонны), has been carefully excavated, and its appearance can be reconstructed with accuracy. It was built of local (известняк), coated with a (штукатурка) made of marble dust, but the (скульптура) and (кровельная черепица) were of Parian marble. The architect, Libon of Elis, designed a peristyle six (колонны) wide and thirteen long. Something of the grandeur of its original appearance may be felt in
the probably contemporary and somewhat smaller (храм) of Hera II
at Paestum, despite its more massive proportions and (тесно расположенные) of (колонны) due to local taste. Libon's (колонны) are (более стройные) and more elegant than any we have seen so
far, and both their (энтазисы) and the projection of their capitals are (более изысканный). Both interiors utilized the double row of superimposed (колонны) we saw at Aegina.
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