An American author and journalist

Hemingway is noted for economical and understated style, which he himself characterized as the iceberg theory: the facts float above water; the supporting structure and symbolism operate out of sight. His iceberg theory of omission is the foundation on which he builds. The syntax, which lacks subordinating conjunctions, creates static sentences. The photographic "snapshot" style creates a collage of images. Many types of internal punctuation (colons, semicolons, dashes, parentheses) are omitted in favor of short declarative sentences. The sentences build on each other, as events build to create a sense of the whole. Multiple strands exist in one story; an "embedded text" bridges to a different angle. He also uses other cinematic techniques of "cutting" quickly from one scene to the next; or of "splicing" a scene into another. Intentional omissions allow the reader to fill the gap, as though responding to instructions from the author, and create three-dimensional prose. In his literature, and in his personal writing, Hemingway habitually used the word "and" in place of commas. This use of polysyndeton may serve to convey immediacy. Hemingway's polysyndetonic sentence — or in later works his use of subordinate clauses — uses conjunctions to juxtapose startling visions and images.

The leitmotif of most Hemingway’s literary work is the domineering feeling of the ‘lost generation’ which is incorporated in the emptiness and broken consciousness, solitude and misunderstanding. The man is inseparable from the mankind, he is responsible for everyone and everyone is responsible for the tragedy of a single person.

Summary of main features:

1) iceberg theory;

2) simple language;

3) unvarnished descriptions;

4) school-like grammar;

5) short, declarative sentences;

6) symbols;

7) repetitions;

Artificial dialogues.

Cat in the Rain

There were only two Americans stopping at the hotel. They did not know any of the people they passed on the stairs on their way to and from their room. Their room was on the second floor facing the sea. It also faced the public garden and the war monument. There were big palms and green benches in the public garden. In the good weather there was always an artist with his easel. Artists liked the way the palms grew and the bright colors of the hotels facing the gardens and the sea. Italians came from a long way off to look up at the war monument. It was made of bronze and glistened in the rain. It was raining. The rain dripped from the palm trees. Water stood in pools on the gravel paths. The sea broke in a long line in the rain and slipped back down the beach to come up and break again in a long line in the rain. The motor cars were gone from the square by the war monument. Across the square in the doorway of the cafe a waiter stood looking out at the empty square.

The American wife stood at the window look­ing out. Outside right under their window a cat was crouched under one of the dripping green tables. The cat was trying to make herself so compact that she would not be dripped on.

"I'm going down and get that kitty," the Ameri­can wife said.

"I'll do it," her husband offered from the bed.

"No, I'll get it. The poor kitty out trying to keep dry under a table."

The husband went on reading, lying propped

up with the two pillows at the foot of the bed.

"Don't get wet," he said.

The wife went downstairs and the hotel owner stood up and bowed to her as she passed the office. His desk was at the far end of the office. He was an old man and very tall.

"Il piove,[1]" the wife said. She liked the hotel-keeper.

"Si, si, Signora, brutto tempo.[2] It's very bad weather."

He stood behind his desk in the far end of the dim room. The wife liked him. She liked the dead­ly serious way he received any complaints. She liked his dignity. She liked the way he wanted to serve her. She liked the way he felt about being a hotel-keeper. She liked his old, heavy face and big hands.

Liking him she opened the door and looked out. It was raining harder. A man in a rubber cape was crossing the empty square to the cafe. The cat would be around to the right. Perhaps she could go along under the eaves. As she stood in the doorway an umbrella opened behind her. It was the maid who looked after their room.

"You must not get wet," she smiled, speaking Italian. Of course, the hotel-keeper had sent her. With the maid holding the umbrella over her, she walked along the gravel path until she was under their window. The table was there, washed bright green in the rain, but the cat was gone. She was suddenly disappointed. The maid looked up at her.

"Ha perduto qualque cosa, Signora?[3]"

"There was a cat," said the American girl.

"A cat?"

"Si, il gatto."

"A cat?" the maid laughed. "A cat in the rain?"

"Yes," she said, "under the table." Then, "Oh, 1 wanted it so much. I wanted a kitty."

When she talked English the maid's face lightened.

"Come, Signora," she said. "We must get back inside. You will be wet."

''I suppose so," said the American girl.

They went back along the gravel path and passed in the door. The maid stayed outside to close the umbrella. As the American girl passed the office, the padrone bowed from his desk. Some­thing felt very small and tight inside the girl. The padrone made her feel very small and at the same time really important. She had a momentary feel­ing of being of supreme importance. She went on up the stairs. She opened the door of the room. George was on the bed, reading.

"Did you get the cat?" he asked, putting the book down.

"It was gone."

"Wonder where it went to," he said, resting his eyes from reading.

She sat down on the bed.

"I wanted it so much," she said. "I don't know why I wanted it so much. I wanted that poor kit­ty. It isn't any fun to be a poor kitty out in the rain."

George was reading again.

She went over and sat in front of the mirror of the dressing table looking at herself with the hand glass. She studied her profile, first one side and then the other. Then she studied the back of her head and her neck.

"Don't you think it would be a good idea if I let my hair grow out?" she asked, looking at her pro­file again.

George looked up and saw the back of her neck, clipped close like a boy's.

"I like it the way it is."

"I get so tired of it," she said. "I get so tired of looking like a boy."

George shifted his position in the bed. He hadn't looked away from her since she started to speak.

"You look pretty darn nice,""' he said.

She laid the mirror down on the dresser and went over to the window and looked out. It was getting dark.

"I want to pull my hair back tight and smooth and make a big knot at the back that I can feel," she said. "I want to have a kitty to sit on my lap and purr when 1 stroke her."

"Yeah?" George said from the bed.

"And I want to eat at a table with my own sil­ver and I want candles. And I want it to be spring and I want to brush my hair out in front of a mir­ror and I want a kitty and I want some new clothes."

"Oh, shut up and get something to read," George said. He was reading again.

His wife was looking out of the window. It was quite dark now and still raining in the palm trees.

"Anyway, I want a cat," she said, "I want a cat. I want a cat now. If I can't have long hair or any fun, I can have a cat".

George was not listening. He was reading his book. His wife looked out of the window where the light had come on in the square.

Someone knocked at the door.

"Avanti," George said. He looked up from his book.

In the doorway stood the maid. She held a big tortoise-shell cat pressed tight against her and swung down against her body.

"Excuse me," she said, "the padrone asked me to bring this for the Signora."

A Canary for One

The train passed very quickly a long, red stone house with a garden and four thick palm-trees with tables under them in the shade. On the other side was the sea. Then there was a cutting through red stone and clay, and the sea was only occasionally and far below against rocks.

«I bought him in Palermo» the American lady said. «We only had an hour ashore and it was Sunday morning. The man wanted to be paid in dollars and I gave him a dollar and a half. He really sings very beautifully».

It was very hot in the train and it was very hot in the lit salon compartment. There was no breeze came through the open window. The American lady pulled the window-blind down and there was no more sea, even occasionally. On the other side there was glass, then the corridor, then an open win­dow, and outside the window were dusty trees and an oiled road and flat fields of grapes, with gray-stone hills behind them.

There was smoke from many tall chimneys — coming into Marseilles, and the train slowed down and followed one track through many others into the station. The train stayed twenty-five minutes in the station at Marseilles and the American lady bought a copy of The Daily Mail and a half-bottle of Evian water. She walked a little way along the station platform, but she stayed near the steps of the car because at Cannes, where it stopped for twelve minutes, the train had left with no signal of departure and she had gotten on only just in time. The American lady was a little deaf and she was afraid that perhaps signals of departure were given and that she did not hear them.

The train left the station in Marseilles and there was not only the switch-yards and the factory smoke but, looking back, the town of Marseilles and the harbor with stone hills behind it and the last of the sun on the water. As it was getting dark the train passed a farmhouse burning in a field. Motor-cars were stopped along the road and bedding and things from inside the farmhouse were spread in the field. Many people were watching the house burn. After it was dark the train was in Avignon. People got on and off. At the news-stand French­men, returning to Paris, bought that day’s French papers. On the station platform were negro soldiers. They wore brown uniforms and were tall and their faces shone, close under the electric light. Their faces were very black and they were too tall to stare. The train left Avignon station with the negroes standing there. A short white sergeant was with them.

Inside the lit salon compartment the porter had pulled down the three beds from inside the wall and prepared them for sleeping. In the night the American lady lay without sleeping because the train was a rapide and went very fast and she was afraid of the speed in the night. The American lady’s bed was the one next to the window. The canary from Palermo, a cloth spread over his cage, was out of the draft in the corridor that went into the compartment wash-room. There was a blue light outside the compartment, and all night the train went very fast and the American lady lay awake and waited for a wreck.

In the morning the train was near Paris, and after the Ameri­can lady had come out from the wash-room, looking very wholesome and middle-aged and American in spite of not hav­ing slept, and had taken the cloth off the birdcage and hung the cage in the sun, she went back to the restaurant-car for breakfast. When she came back to the lit salon compartment again, the beds had been pushed back into the wall and made into seats, the canary was shaking his feathers in the sunlight that came through the open window, and the train was much nearer Paris.

«He loves the sun,» the American lady said. «He’ll sing now in a little while.»

The canary shook his feathers and pecked into them. «I’ve always loved birds,» the American lady said. «I’m taking him home to my little girl. There — he’s singing now.»

The canary chirped and the feathers on his throats stood out, then he dropped his bill and pecked into his feathers again. The train crossed a river and passed through a very carefully tended forest. The train passed through many outside of Paris towns. There were tram-cars in the towns and big advertise­ments for the Belle Jardiniere and Dubonnet and Pernod on the walls toward the train. All that the train passed through looked as though it were before breakfast. For several minutes I had not listened to the American lady, who was talking to my wife.

«Is your husband American too?» asked the lady.

«Yes» said my wife. «We’re both Americans».

«I thought you were English».

«Oh, no».

«Perhaps that was because I wore braces,» I said. I had started to say suspenders and changed it to braces in the mouth, to keep my English character. The American lady did not hear. She was really quite deaf; she read lips, and I had not looked toward her. I had looked out of the window. She went on talking to my wife.

«I’m so glad you’re Americans. American men make the best husbands,» the American lady was saying. «That was why we left the Continent, you know. My daughter fell in love with a man in Vevey.» She stopped. «They were simply madly in love.» She stopped again. «I took her away, of course.»

«Did she get over it?» asked my wife.

«I don’t think so,» said the American lady. «She wouldn’t eat anything and she wouldn’t sleep at all. I’ve tried so very hard, but she doesn’t seem to take an interest in anything. She doesn’t care about things. I couldn’t have her marrying a foreigner.» She paused. «Some one, a very good friend, told me once, ‘No foreigner can make an American girl a good husband.’»

«No», said my wife, «I suppose not.» The American lady admired my wife’s travelling-coat, and it turned out that the American lady had bought her own clothes for twenty years now from the same maison de cou­ture in the Rue Saint Honore. They had her measurements, and a vendeuse who knew her and her tastes picked the dresses out for her and they were sent to America. They came to the post-office near where she lived up-town in New York, and the duty was never exorbitant because they opened the dresses there in the post-office to appraise them and they were always very simple-looking and with no gold lace nor ornaments that would make the dresses look expensive. Before the present vendeuse, named Therese, there had been another vendeuse, named Amelie. Altogether there had only been these two in the twenty years. It had always been the same couturier. Prices, however, had gone up. The exchange, though, equalized that. They had her daughter’s measurements now too. She was grown up and there was not much chance of their changing now.

The train was now coming into Paris. The fortifications were levelled but grass had not grown. There were many cars stand­ing on tracks — brown wooden restaurant-cars and brown wooden sleeping-cars that would go to Italy at five o’clock that night, if that train still left at five; the cars were marked Paris-Rome, and cars, with seats on the roofs, that went back and forth to the suburbs with, at certain hours, people in all the seats and on the roofs, if that were the way it were still done, and passing were the white walls and many windows of houses. Nothing had eaten any breakfast.

«Americans make the best husbands,» the American lady said to my wife. I was getting down the bags. «American men are the only men in the world to marry.»

«How long ago did you leave Vevey?» asked my wife.

«Two years ago this fall. It’s her, you know, that I’m taking the canary to.»

«Was the man your daughter was in love with a Swiss?»

«Yes,» said the American lady. «He was from a very good family in Vevey. He was going to be an engineer. They met there in Vevey. They used to go on long walks together.»

«I know Vevey,» said my wife. «We were there on our honeymoon.»

«Were you really? That must have been lovely. I had no idea, of course, that she’d fall in love with him.»

«It was a very lovely place,» said my wife.

«Yes,» said the American lady. «Isn’t it lovely? Where did you stop there?»

«We stayed at the Trois Couronnes,» said my wife.

«It’s such a fine old hotel,» said the American lady.

«Yes,» said my wife. «We had a very fine room and in the fall the country was lovely.»

«Were you there in the fall?»

«Yes,» said my wife.

We were passing three cars that had been in a wreck. They were splintered open and the roofs sagged in.

«Look,» I said. «There’s been a wreck.»

The American lady looked and saw the last car. «I was afraid of just that all night,» she said. «I have terrific presentiments about things sometimes. I’ll never travel on a rapide again at night. There must be other comfortable trains that don’t go so fast.»

Then the train was in the dark of the Gare de Lyons, and then stopped and porters came up to the windows. I handed bags through the windows, and we were out on the dim longness of the platform, and the American lady put herself in charge of one of three men from Cook’s who said: «Just a moment, madame, and I’ll look for your name.»

The porter brought a truck and piled on the baggage, and my wife said good-by and I said good-by to the American lady, whose name had been found by the man from Cook’s on a typewritten page in a sheaf of typewritten pages which he re­placed in his pocket.

We followed the porter with the truck down the long cement platform beside the train. At the end was a gate and a man took the tickets.

We were returning to Paris to set up separate residences.

A Clean, Well-Lighted Place

It was very late and everyone had left the cafe except an old man who sat in the shadow the leaves of the tree made against the electric light. In the day time the street was dusty, but at night the dew settled the dust and the old man liked to sit late because he was deaf and now at night it was quiet and he felt the difference. The two waiters inside the cafe knew that the old man was a little drunk, and while he was a good client they knew that if he became too drunk he would leave without paying, so they kept watch on him.

"Last week he tried to commit suicide," one waiter said.

"Why?"

"He was in despair."

"What about?"

"Nothing."

"How do you know it was nothing?"

"He has plenty of money."

They sat together at a table that was close against the wall near the door of the cafe and looked at the terrace where the tableswere all empty except where the old man sat in the shadow of the leaves of the tree that moved slightly in the wind. A girl and a soldier went by in the street. The street light shone on the brass number on his collar. The girl wore no head covering and hurried beside him.

"The guard will pick him up," one waiter said.

"What does it matter if he gets what he's after?"

"He had better get off the street now. The guard will get him. They went by five minutes ago."

The old man sitting in the shadow rapped on his saucer with his glass. The younger waiter went over to him.

"What do you want?"

The old man looked at him. "Another brandy," he said.

"You'll be drunk," the waiter said. The old man looked at him. The waiter went away.

"He'll stay all night," he said to his colleague. "I'm sleepy now. I never get into bed before three o'clock. He should have killed himself last week."

The waiter took the brandy bottle and another saucer from the counter inside the cafe and marched out to the old man's table. He put down the saucer and poured the glass full of brandy.

"You should have killed yourself last week," he said to the deaf man. The old man motioned with his finger. "A little more," he said. The waiter poured on into the glass so that the brandy slopped over and ran down the stem into the top saucer of the pile. "Thank you," the old man said. The waiter took the bottle back inside the cafe. He sat down at the table with his colleague again.

"He's drunk now," he said.

"He's drunk every night."

"What did he want to kill himself for?"

"How should I know."

"How did he do it?"

"He hung himself with a rope."

"Who cut him down?"

"His niece."

"Why did they do it?"

"Fear for his soul."

"How much money has he got?" "He's got plenty."

"He must be eighty years old."

"Anyway I should say he was eighty."

"I wish he would go home. I never get to bed before three o'clock. What kind of hour is that to go to bed?"

"He stays up because he likes it."

"He's lonely. I'm not lonely. I have a wife waiting in bed for me."

"He had a wife once too."

"A wife would be no good to him now."

"You can't tell. He might be better with a wife."

"His niece looks after him. You said she cut him down."

"I know." "I wouldn't want to be that old. An old man is a nasty thing."

"Not always. This old man is clean. He drinks without spilling.Even now, drunk. Look at him."

"I don't want to look at him. I wish he would go home. He has no regard for those who must work."

The old man looked from his glass across the square, then over at the waiters.

"Another brandy," he said, pointing to his glass. The waiter who was in a hurry came over.

"Finished," he said, speaking with that omission of syntax stupid people employ when talking to drunken people or foreigners. "No more tonight. Close now."

"Another," said the old man.

"No. Finished." The waiter wiped the edge of the table with a towel and shook his head.

The old man stood up, slowly counted the saucers, took a leather coin purse from his pocket and paid for the drinks, leaving half a peseta tip. The waiter watched him go down the street, a very old man walking unsteadily but with dignity.

"Why didn't you let him stay and drink?" the unhurried waiter asked. They were putting up the shutters. "It is not half-past two."

"I want to go home to bed."

"What is an hour?"

"More to me than to him."

"An hour is the same."

"You talk like an old man yourself. He can buy a bottle and drink at home."

"It's not the same."

"No, it is not," agreed the waiter with a wife. He did not wish to be unjust. He was only in a hurry.

"And you? You have no fear of going home before your usual hour?"

"Are you trying to insult me?"

"No, hombre, only to make a joke."

"No," the waiter who was in a hurry said, rising from pulling down the metal shutters. "I have confidence. I am all confidence."

"You have youth, confidence, and a job," the older waiter said. "You have everything."

"And what do you lack?"

"Everything but work."

"You have everything I have."

"No. I have never had confidence and I am not young."

"Come on. Stop talking nonsense and lock up."

"I am of those who like to stay late at the cafe," the older waiter said.

"With all those who do not want to go to bed. With all those who need a light for the night."

"I want to go home and into bed."

"We are of two different kinds," the older waiter said. He was now dressed to go home. "It is not only a question of youth and confidence although those things are very beautiful. Each night I am reluctant to close up because there may be some one who needs the cafe."

"Hombre, there are bodegas open all night long."

"You do not understand. This is a clean and pleasant cafe. It is well lighted. The light is very good and also, now, there are shadows of the leaves."

"Good night," said the younger waiter.

"Good night," the other said. Turning off the electric light he continued the conversation with himself, It was the light of course but it is necessary that the place be clean and pleasant. You do not want music. Certainly you do not want music. Nor can you stand before a bar with dignity although that is all that is provided for these hours. What did he fear? It was not a fear or dread, It was a nothing that he knew too well. It was all a nothing and a man was a nothing too. It was only that and light was all it needed and a certain cleanness and order. Some lived in it and never felt it but he knew it all was nada y pues nada y naday pues nada. Our nada who art in nada, nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee. He smiled and stood before a bar with a shining steam pressure coffee machine.

"What's yours?" asked the barman.

"Nada."

"Otro loco mas," said the barman and turned away.

"A little cup," said the waiter.

The barman poured it for him.

"The light is very bright and pleasant but the bar is unpolished, "the waiter said.

The barman looked at him but did not answer. It was too late at night for conversation.

"You want another copita?" the barman asked.

"No, thank you," said the waiter and went out. He disliked bars and bodegas. A clean, well-lighted cafe was a very different thing. Now, without thinking further, he would go home to his room. He would lie in the bed and finally, with daylight, he would go to sleep. After all, he said to himself, it's probably only insomnia. Many must have it.

Hills Like White Elephants

The hills across the valley of the Ebro were long and white. On this side there was no shade and no trees and the station was between two lines of rails in the sun. Close against the side of the station there was the warm shadow of the building and a curtain, made of strings of bamboo beads, hung across the open door into the bar, to keep out flies. The American and the girl with him sat at a table in the shade, outside the building. It was very hot and the express from Barcelona would come in forty minutes. It stopped at this junction for two minutes and went to Madrid. ‘What should we drink?’ the girl asked. She had taken off her hat and put it on the table. ‘It’s pretty hot,’ the man said. ‘Let’s drink beer.’ ‘Dos cervezas,’ the man said into the curtain. ‘Big ones?’ a woman asked from the doorway. ‘Yes. Two big ones.’ The woman brought two glasses of beer and two felt pads. She put the felt pads and the beer glass on the table and looked at the man and the girl. The girl was looking off at the line of hills. They were white in the sun and the country was brown and dry. ‘They look like white elephants,’ she said. ‘I’ve never seen one,’ the man drank his beer. ‘No, you wouldn’t have.’ ‘I might have,’ the man said. ‘Just because you say I wouldn’t have doesn’t prove anything.’ The girl looked at the bead curtain. ‘They’ve painted something on it,’ she said. ‘What does it say?’ ‘Anis del Toro. It’s a drink.’ ‘Could we try it?’ The man called ‘Listen’ through the curtain. The woman came out from the bar. ‘Four reales.’ ‘We want two Anis del Toro.’ ‘With water?’

‘Do you want it with water?’ ‘I don’t know,’ the girl said. ‘Is it good with water?’ ‘It’s all right.’ ‘You want them with water?’ asked the woman. ‘Yes, with water.’ ‘It tastes like liquorice,’ the girl said and put the glass down. ‘That’s the way with everything.’ ‘Yes,’ said the girl. ‘Everything tastes of liquorice. Especially all the things you’ve waited so long for, like absinthe.’ ‘Oh, cut it out.’ ‘You started it,’ the girl said. ‘I was being amused. I was having a fine time.’ ‘Well, let’s try and have a fine time.’ ‘All right. I was trying. I said the mountains looked like white elephants. Wasn’t that bright?’ ‘That was bright.’ ‘I wanted to try this new drink. That’s all we do, isn’t it – look at things and try new drinks?’ ‘I guess so.’ The girl looked across at the hills. ‘They’re lovely hills,’ she said. ‘They don’t really look like white elephants. I just meant the colouring of their skin through the trees.’ ‘Should we have another drink?’ ‘All right.’ The warm wind blew the bead curtain against the table. ‘The beer’s nice and cool,’ the man said. ‘It’s lovely,’ the girl said. ‘It’s really an awfully simple operation, Jig,’ the man said. ‘It’s not really an operation at all.’ The girl looked at the ground the table legs rested on. ‘I know you wouldn’t mind it, Jig. It’s really not anything. It’s just to let the air in.’ The girl did not say anything. ‘I’ll go with you and I’ll stay with you all the time. They just let the air in and then it’s all perfectly natural.’ ‘Then what will we do afterwards?’ ‘We’ll be fine afterwards. Just like we were before.’ ‘What makes you think so?’

‘That’s the only thing that bothers us. It’s the only thing that’s made us unhappy.’ The girl looked at the bead curtain, put her hand out and took hold of two of the strings of beads. ‘And you think then we’ll be all right and be happy.’ ‘I know we will. You don’t have to be afraid. I’ve known lots of people that have done it.’ ‘So have I,’ said the girl. ‘And afterwards they were all so happy.’ ‘Well,’ the man said, ‘if you don’t want to you don’t have to. I wouldn’t have you do it if you didn’t want to. But I know it’s perfectly simple.’ ‘And you really want to?’ ‘I think it’s the best thing to do. But I don’t want you to do it if you don’t really want to.’ ‘And if I do it you’ll be happy and things will be like they were and you’ll love me?’ ‘I love you now. You know I love you.’ ‘I know. But if I do it, then it will be nice again if I say things are like white elephants, and you’ll like it?’ ‘I’ll love it. I love it now but I just can’t think about it. You know how I get when I worry.’ ‘If I do it you won’t ever worry?’ ‘I won’t worry about that because it’s perfectly simple.’ ‘Then I’ll do it. Because I don’t care about me.’ ‘What do you mean?’ ‘I don’t care about me.’ ‘Well, I care about you.’ ‘Oh, yes. But I don’t care about me. And I’ll do it and then everything will be fine.’ ‘I don’t want you to do it if you feel that way.’ The girl stood up and walked to the end of the station. Across, on the other side, were fields of grain and trees along the banks of the Ebro. Far away, beyond the river, were mountains. The shadow of a cloud moved across the field of grain and she saw the river through the trees. ‘And we could have all this,’ she said. ‘And we could have everything and every day we make it more impossible.’ ‘What did you say?’ ‘I said we could have everything.’ ‘We can have everything.’ ‘No, we can’t.’ ‘We can have the whole world.’ ‘No, we can’t.’ ‘We can go everywhere.’

‘No, we can’t. It isn’t ours any more.’ ‘It’s ours.’ ‘No, it isn’t. And once they take it away, you never get it back.’ ‘But they haven’t taken it away.’ ‘We’ll wait and see.’ ‘Come on back in the shade,’ he said. ‘You mustn’t feel that way.’ ‘I don’t feel any way,’ the girl said. ‘I just know things.’ ‘I don’t want you to do anything that you don’t want to do -’ ‘Nor that isn’t good for me,’ she said. ‘I know. Could we have another beer?’ ‘All right. But you’ve got to realize – ‘ ‘I realize,’ the girl said. ‘Can’t we maybe stop talking?’ They sat down at the table and the girl looked across at the hills on the dry side of the valley and the man looked at her and at the table. ‘You’ve got to realize,’ he said, ‘ that I don’t want you to do it if you don’t want to. I’m perfectly willing to go through with it if it means anything to you.’ ‘Doesn’t it mean anything to you? We could get along.’ ‘Of course it does. But I don’t want anybody but you. I don’t want anyone else. And I know it’s perfectly simple.’ ‘Yes, you know it’s perfectly simple.’ ‘It’s all right for you to say that, but I do know it.’ ‘Would you do something for me now?’ ‘I’d do anything for you.’ ‘Would you please please please please please please please stop talking?’ He did not say anything but looked at the bags against the wall of the station. There were labels on them from all the hotels where they had spent nights. ‘But I don’t want you to,’ he said, ‘I don’t care anything about it.’ ‘I’ll scream,’ the girl said. The woman came out through the curtains with two glasses of beer and put them down on the damp felt pads. ‘The train comes in five minutes,’ she said. ‘What did she say?’ asked the girl. ‘That the train is coming in five minutes.’ The girl smiled brightly at the woman, to thank her. ‘I’d better take the bags over to the other side of the station,’ the man said. She smiled at him. ‘All right. Then come back and we’ll finish the beer.’

He picked up the two heavy bags and carried them around the station to the other tracks. He looked up the tracks but could not see the train. Coming back, he walked through the bar-room, where people waiting for the train were drinking. He drank an Anis at the bar and looked at the people. They were all waiting reasonably for the train. He went out through the bead curtain. She was sitting at the table and smiled at him. ‘Do you feel better?’ he asked. ‘I feel fine,’ shesaid. ‘There’s nothing wrong with me. I feel fine.

The Killers

The door of Henry’s lunch-room opened and two men came in. They sat down at the counter.

‘What’s yours?’ George asked them.

‘I don’t know,’ one of the men said. ‘What do you want to eat, Al?’

‘I don’t know,’ said Al. ‘I don’t know what I want to eat.’

Outside it was getting dark. The street light came on outside the window. The two men at the counter read the menu. From the other end of the counter Nick Adams watched them. He had been talking to George when they came in.

‘I’ll have a roast pork tenderloin with apple sauce and mashed potatoes,' the first man said.

‘It isn’t ready yet.’

‘What the hell do you put it on the card for?’

‘That’s the dinner,’ George explained. ‘You can get that at six o'clock.’

George looked at the clock on the wall behind the counter.

‘It’s five o'clock’

‘The clock says twenty minutes past five,’ the second man said.

‘It’s twenty minutes fast.’

‘Oh, to hell with the clock,’ the first man said. ‘What have you got to eat?’

‘I can give you any kind of sandwiches,’ George said. ‘You can have ham and eggs, bacon and eggs, liver and bacon, or a steak.’

‘Give me chicken croquettes with green peas and cream sauce and mashed potatoes.’

‘That’s the dinner.’

‘Everything we want’s the dinner, eh? That’s the way you work it.’

‘I can give you ham and eggs, bacon and eggs, liver –’

‘I’ll take ham and eggs,’ the man called Al Said. He wore a derby hat and a black overcoat buttoned across the chest. His face was small and white and he had tight lips. He wore a silk muffler and gloves.

‘Give me bacon and eggs,’ said the other man. He was about the same size as Al. Their faces were different, but they were dressed like twins. Both wore overcoats too tight for them. They sat leaning forward, their elbows on the counter.

‘Got anything to drink?’ Al asked.

‘Silver beer, bevo, ginger-ale,’ George said.

‘I mean you got anything to drink?’

‘Just those I said.’

‘This is a hot town,’ said the other. ‘What do they call it?’

‘Summit,’

‘Ever hear of it?’ Al asked his friend.

‘No,’ said the friend.

‘What do you do here nights?’ Al asked.

‘They eat the dinner,’ his friend said. ‘They all come here and eat the big dinner.’

‘That’s right.’ George said.

‘So you think that’s right?’ Al asked George.

‘Sure.’

‘You’re a pretty bright boy, aren’t you?’

‘Sure,’ Said George.

‘Well, you’re not,’ said the other little man. ‘Is he, Al?’

‘He’s dumb,’ said Al. He turned to Nick. ‘What’s your name?’

‘Adams.’

‘Another Bright boy,’ Al said. ‘Ain’t he a bright boy, Max?’

‘The town’s full of bright boys,’ Max said.

George put down two platters, one of ham and eggs, the other of bacon and eggs, on the counter. He set down two side dishes of fried potatoes and closed the wicket into the kitchen.

‘Which is yours?’ he asked Al.

‘Don’t you remember?’

‘Ham and eggs,’

‘Just a bright boy,’ Max said. He leaned forward and took the ham and eggs. Both men ate with their gloves on. George watched them eat.

‘What are you looking at?’ Max looked at George.

‘Nothing.’

‘The hell you were. You were looking at me.’

‘Maybe the boy meant it for a joke, Max,’ Al said.

George laughed.

‘You don’t have to laugh,’ Max said to him. ‘You don’t have to laugh at all, see?’

‘All Right,’ said George.

‘So he think it's all right,’ Max turned to Al. ’He thinks it's all right. That’s a good one.’

‘Oh, he’s a thinker,’ Al said. They went on eating.

‘What’s the bright boy’s name down the counter?’ Al asked Max.

‘Hey, bright boy,’ Max said to Nick. ‘You go around on the other side of the counter with your boy friend.’

‘What’s the idea?’ Nick asked.

‘You better go around, bright boy,’ Al said. Nick went around behind the counter.

‘What’s the idea?’ George asked.

‘None of your damn business,’ Al said. ‘Who’s out in the kitchen?’

‘The nigger.’

‘What do you mean the nigger?’

‘The nigger that cooks.’

‘Tell him to come in,’

‘What’s the idea?’

‘Tell him to come in,’

‘Where do you think you are?’

‘We know damn well where we are,’ the man called Max said. ‘Do we look silly?’

‘You talk silly,’ Al said to him. ‘What the hell do you argue with this kid for? Listen,’ he said to George, ‘tell the nigger to come out here.’

‘What are you going to do to him?’

‘Nothing. Use your head, bright boy. What would we do to a nigger?’

George opened the slip that opened back into the kitchen. ‘Sam,’ he called. ‘Come in here a minute.’

The door of the kitchen opened and the nigger came in. ‘What was it?’ he asked. The two men at the counter took a look at him.

‘All right, nigger. You stand right there,’ Al said.

Sam, the nigger, standing in his apron, looked at the two men sitting at the counter. ‘Yes, sir,’ he said. Al got down from his stool.

‘I’m going back to the kitchen with the nigger and bright boy,’ he said. ‘Go back to the kitchen, nigger. You go with him, bright boy.’ The little man walked after Nick and Sam, the cook, back into the kitchen. The door shut after them. The man called Max sat at the counter opposite George. He didn’t look at George but looked in the mirror that ran along back of the counter. Henry’s had been made over from a saloon into a lunch-counter.

‘Well, bright boy,’ Max said, looking into the mirror, ‘why don’t you say something?’

‘What’s it all about?’

‘Hey, Al,’ Max called, ‘bright boy wants to know what it’s all about.’

‘Why don’t you tell him?’ Al’s voice came from the kitchen.

‘What do you think it’s all about?’

‘I don’t know.’

‘What do you think?’

Max looked into the mirror all the time he was talking.

‘I wouldn’t say.’

‘Hey Al, bright boy says he wouldn’t say what he thinks it’s all about.’

‘I can hear you, all right,’ Al said from the kitchen. He had propped open the slit that dishes passed through into the kitchen with a catsup bottle. ‘Listen, bright boy,’ he said from the kitchen to George. ‘Stand a little further along the bar. You move a little to the left, Max.’ He was like a photographer arranging for a group picture.

‘Talk to me, bright boy,’ Max said. ‘What do you think’s going to happen?’

George did not say anything.

‘I'll tell you,’ Max said. ‘We’re going to kill a Swede. Do you know a big Swede named Ole Anderson?

‘Yes.’

‘He comes in here to eat every night, don't he?’

‘Sometimes he comes here.’

‘He comes here at six o’clock, don’t he?

‘If he comes.’

‘We know all that, bright boy,’ Max said. ‘Talk about something else. Ever go to the movies?’

‘Once in a while.’

‘You ought to go to the movies more. The movies are fine for a bright boy like you.’

‘What are you going to kill Ole Anderson for? What did he ever do to you?’

‘He never had a chance to do anything to us. He never even seen us.’

‘What are you going to kill him for, then?’ George asked.

‘We’re killing him for a friend. Just to oblige a friend, bright boy.’

‘Shut up,’ said Al from the kitchen. ‘You talk too goddam much.’

‘Well, I got to keep bright boy amused. Don’t I, bright boy?’

‘You talk too damn much,’ Al said ‘The nigger and my bright boy are amused by themselves. I got them tied up like a couple of girl friends in the convent.’

‘I suppose you were in a convent.’

‘You never know.’

‘You were in a kosher convent. That’s where you were.’

George looked up at the clock.

‘If anybody comes in you tell them the cook is off, and if they keep after it, you tell them you’ll go back and cook yourself. Do you get that, bright boy?’

‘Al right,’ George said. ‘What you going to do with us afterward?’

‘That’ll depend,’ Max said. ‘That’s one of those things you never know at the time.’

George looked up at the clock. It was a quarter past six. The door from the street opened. A street-car motorman came in.

‘Hello, George,’ he said. ‘Can I get supper?’

‘Sam’s gone out,’ George said. ‘He’ll be back in about half an hour.’

‘I’d better go up the street,’ the motorman said. George looked at the clock. It was twenty minutes past six.

‘That was nice, bright boy,’ Max said ‘You’re a regular little gentleman.’

‘He knew I’d blow his head off,’ Al said from the kitchen.

‘No.’ said Max. ‘It ain’t that. Bright boy is nice. He’s a nice boy. I like him.’

At six-fifty-five George said: ‘He’s not coming.’

Two other people had been in the lunch-room. Once George had gone out to the kitchen and made a ham-and-eggs sandwich ‘to go’ that a man wanted to take with him. Inside the kitchen he saw Al, his derby hat tilted back, sitting on a stool beside the wicket with the muzzle of a sawed-off shotgun resting on the ledge. Nick and the cook were back to back in the corner, a towel tied in each of their mouths. George had cooked the sandwich, wrapped it up in oiled paper, put it in a bag, brought it in, and the man had paid for it and gone out.

‘Bright boy can do everything,’ Max said. ‘He can cook and everything. You’d make some girl a nice wife, bright boy.’

‘Yes?’ George said. ‘Your friend. Ole Anderson, isn’t going to come.’

‘We’ll give him ten minutes,’ Max said.

Max watched the mirror and the clock. The hands of the clock marked seven o’clock, and then five minutes past seven.

‘Come on, Al,’ said Max. ‘We better go. He's not coming.’

‘Better give him five minutes,’ Al said from the kitchen.

In the five minutes a man came in, and George explained that the cook was sick.

‘Why the hell don’t you get another cook?’ the man asked. ‘Aren’t you running a lunch-counter?’ He went out.

‘Come on Al,’ Max said.

‘What about the two bright boys and the nigger?’

‘They’re all right.’

‘You think so?’

‘Sure. We’re through with it.’

‘I don’t like it,’ said Al. ‘It’s sloppy. You talk too much.’

‘Oh, what the hell,’ said Max. ‘We got to keep amused, haven’t we?’

‘You talk too much, all the same,’ Al said. He came out from the kitchen. The cut-off barrels of the shotgun made a slight bulge under the waist of his too tight-fitting overcoat. He straightened his coat with his gloved hands.

‘So long, bright boy,’ he said to George. ‘You got a lot of luck.’

‘That’s the truth,’ Max said. ‘You ought to play the race, bright boy.’

The two of them went out of the door. George watched them, through the window, pass under the arc-light and cross the street. In their overcoats and derby hats they looked like a vaudeville team. George went back through the swinging-door into the kitchen and untied Nick and the cook.

‘I don’t want any more of that,’ said Sam, the cook. ‘I don’t want any more of that.’

Nick stood up. He had never had a towel in his mouth before.

‘Say,’ he said. ‘What the hell?’ He was trying to swagger it off.

‘They were going to kill Ole Anderson,’ George said. ‘They were going to shoot him when he came in to eat.

‘Ole Anderson?’

‘Sure.’

The cook felt the corners of his mouth with his thumbs.

‘They all gone?’ he asked.

‘Yeah,’ said George. ‘They’re gone now.’

‘I don’t like it,’ said the cook. ‘I don’t like any of it at all.’

‘Listen,’ George said to Nick. ‘You better go see Ole Anderson.’

‘All right.’

‘You better not have anything to do with it at all,’ Sam, the cook, said. ‘You better stay way out of it.’

‘Don’t go if you don’t want to,’ George said.

‘Mixing up in this ain’t going to get you anywhere,’ the cook said. ‘You stay out of it.’

‘I’ll go see him,’ Nick said to George. ‘Where does he live?’

The cook turned away.

‘Little boys always know what they want to do,’ he said.

‘He lives up at Hirsch’s rooming-house,’ George aid to Nick.

‘I’ll go up there.’

Outside, the arc-light shone through the bare branches of a tree. Nick walked up the street beside the car-tracks and turned at the next arc-light down a side-street. Three houses up the street was Hirsch’s rooming-house. Nick walked up the two steps and pushed the bell. A woman came to the door.

‘Is Ole Anderson here?’

‘Do you want to see him?’

‘Yes, if he’s in.’

Nick followed the woman up a flight of stairs and back to the end of the corridor. She knocked on the door.

‘Who is it?’

‘It's Nick Adams.’

‘Come in.’

Nick opened the door and went into the room. Ole Anderson was lying on the bed with all his clothes on. He had been a heavyweight prize-fighter and he was too long for the bed. He lay with his head on two pillows. He did not look at Nick.

‘What was it?’

‘I was up at Henry’s,’ Nick said, ’and two fellows came in and tied up me and the cook, and they said they were going to kill you.’

It sounded silly when he said it. Ole Anderson said nothing.

‘They put us out in the kitchen,’ Nick went on. ‘They were going to shoot you when you came in to supper.’

Ole Anderson looked at the wall and did not say anything.

‘George thought I’d better come and tell you about it.’

‘There isn’t anything I can do about it,’ Ole Anderson said.

‘I’ll tell you what they were like.’

‘I don’t want to know what they were like,’ Ole Anderson said. He looked at the wall. ‘Thanks for coming to tell me about it.’

‘That’s all right.’

Nick looked at the big man lying on the bed.

‘Don’t you want me to go and see the police?’

‘No,’ Ole Anderson said. ‘That wouldn’t do any good.’

‘Isn’t there something I could do?’

‘No. There ain’t anything to do.’

‘Maybe it was just a bluff.’

‘No, it ain’t just a bluff.’

Ole Anderson rolled over towards the wall.

‘The only thing is,’ he said, talking towards the wall, ‘I just can’t make up my mind to go out. I been in here all day.’

‘Couldn’t you get out of town?’

‘No,’ Ole Anderson said. ‘I’m through with all that running around.’

He looked at the wall.

‘There ain’t anything to do now.’

‘Couldn’t you fix it up some way?'

‘No. I got in wrong.’ He talked in the same flat voice. ‘There ain’t anything to do. After a while I’ll make up my mind to go out.’

‘I better go back and see George,’ Nick said.

‘So long,’ said Ole Anderson. He did not look towards Nick. ‘Thanks for coming around.’

Nick went out. As he shut the door he saw Ole Anderson with all his clothes on, lying on the bed looking at the wall.

‘He’s been in his room all day,’ the landlady said downstairs. ‘I guess he don’t feel well. I said to him: ‘‘Mr. Anderson, you ought to go out and take a walk on a nice fall day like this,’’ but he didn’t feel like it.’

‘He doesn’t want to go out.’

‘I’m sorry he don’t feel well,’ the woman said. ‘He’s an awfully nice man. He was in the ring, you know.’

‘I know it.’

‘You’d never know it expect from the way his face is,’ the woman said. They stood talking just inside the street door. ‘He’s just as gentle.’

‘Well, good-night, Mrs. Hirsch,’ Nick said.

‘I’m not Mrs. Hirsch’ the woman said. ‘She owns the place. I just look after it for her, I’m Mrs. Bell.’

‘Well, good-night, Mrs. Bell,’ Nick said.

‘Good-night,’ the woman said.

Nick walked up the dark street to the corner under the arc-light, and then along the car-tracks to Henry’s eating-house. George was inside, back of the counter.

‘Did you see Ole?

‘Yes,’ said Nick. ‘He’s in his room and he won’t go out.’

The cook opened the door from the kitchen when he heard Nick’s voice.

‘I don’t even listen to it,’ he said and shut the door.

‘Did you tell him about it?’ George asked.

‘Sure. I told him, but he knows what it’s all about.’

‘What’s he going to do?’

‘Nothing.’

‘They’ll kill him.’

‘I guess they will.’

‘He must have got mixed up in something in Chicago.’

‘I guess so,’ said Nick.

‘It’s a hell of a thing.’

‘It’s an awful thing,’ Nick said.

They did not say anything. George reached down for a towel and wiped the counter.

‘I wonder what he did?’ Nick said.

‘Double-crossed somebody. That’s what they kill them for.’

‘I’m going to get out of this town,’ Nick said.

‘Yes,’ said George. ‘That’s a good thing to do.’

‘I can’t stand to think about him waiting in the room and knowing he’s going to get it. It’s too damned awful.’

‘Well,’ said George, ‘You better not think about it.’

 

UP IN MICHIGAN

Jim Gilmore came to Hortons Bay from Canada. He bought the blacksmith shop from old man Horton. Jim was short and dark with big mustaches and big hands. He was a good horseshoer and did not look much like a blacksmith even with his leather apron on. He lived upstairs above the blacksmith shop and took his meals at D.J. Smith's.

Liz Coates worked for Smith's. Mrs. Smith, who was a very large clean woman, said Liz Coates was the neatest girl she'd ever seen. Liz had good legs and always wore clean gingham aprons and Jim noticed that her hair was always neat behind. He liked her face because it was so jolly but he never thought about her.

Liz liked Jim very much. She liked the way he walked over from the shop and often went to the kitchen door to watch for him to start down the road. She liked it about his mustache. She liked it about how white his teeth were when he smiled. She liked it very much that he didn't look like a blacksmith. She liked it how much D.J. Smith and Mrs. Smith liked Jim. One day she found that she liked it the way the hair was black on his arms and how white they were above the tanned line when he washed up in the washbasin outside the house. Liking that made her feel funny.

Hortons Bay, the town, was only five houses on the main road between Boyne City and Charlevoix. There was the general store and post office with a high false front and maybe a wagon hitched out in front, Smith's house, Stroud's house, Fox's house, Horton's house and Van Hoosen's house. The houses were in a big grove of elm trees and the road was very sandy. There was farming country and timber each way up the road. Up the road a ways was the Methodist church and down the road the other direction was the township school. The blacksmith shop was painted red and faced the school.

A steep sandy road ran down the hill to the bay through the timber. From Smith's back door you could look out across the woods that ran down to the lake and across the bay. It was very beautiful in the spring and summer, the sky blue and bright and usually whitecaps on the lake beyond the point from the breeze blowing in from Charlevoix and Lake Michigan. From Smith's back door Liz could see ore barges way out in the lake going toward Boyne City. When she looked at them they didn't seem to be moving at all but if she went in and dried some more dishes and then came out again they would be out of sight beyond the point.

All the time now Liz was thinking about Jim Gilmore. He didn't seem to notice her very much. He talked about the shop to D.J. Smith and about the Republican Party and about James G. Blaine. In the evenings he read The Toledo Blade and the Grand Rapids paper by the lamp in the front room or went out spearing fish in the bay with a jacklight with D.J. Smith. In the fall he and Smith and Charley Wyman took a wagon and tent, grubs, axes, their rifles and two dogs and went on a trip to the pine plains beyond Vanderbilt deer hunting. Liz and Mrs. Smith were cooking for four days for them before they started. Liz wanted to make something special for Jim to take but she didn't finally because she was afraid to ask Mrs. Smith for the eggs and flour and afraid if she bought them Mrs. Smith would catch her cooking. It would have been all right with Mrs. Smith but Liz was afraid.

All the time Jim was gone on the deer hunting trip Liz thought about him. It was awful while he was gone. She couldn't sleep well from thinking about him but she discovered it was fun to think about him too. If she let herself go it was better. The night before they were to come back she didn't sleep at all because it was all mixed up in a dream about not sleeping and really not sleeping. When she saw the wagon coming down the she felt weak and sick sort of inside. She couldn't wait till she saw Jim and it seemed as though everything would be all right when he came. The wagon stopped outside under the big elm and Mrs. Smith and Liz went out. All the men had beards and there were three deer in the back of the wagon, their thin legs sticking stiff over the edge of the wagon box. Mrs. Smith kissed Alonzo and he hugged her. Jim said "Hello, Liz," and grinned. Liz hadn't known just what would happen when Jim got back but she was sure it would be something. Nothing had happened. The men were just home, that was all. Jim pulled the burlap sacks off the deer and Liz looked at them. One was a big buck. It was stiff and hard to lift out of the wagon.

"Did you shoot it, Jim?" Liz asked.

"Yeah. Ain't it a beauty?" Jim got it onto his back to carry it to the smokehouse.

That night Charley Wyman stayed to supper at Smith's. It was too late to get back to Charlevoix. The men washed up and waited in the front room for supper.

"Ain't there something left in that crock, Jimmy?" D.J. Smith asked, and Jim went out to the wagon in the barn and fetched in the jug of whiskey the men had taken hunting with them. It was a four gallon jug and there was quite a little slopped back and forth in the bottom. Jim took a long pull on his way back to the house. It was hard to lift such a big jug up to drink out of it. Some of the whiskey ran down on his shirt front. The two men smiled when Jim came in with the jug. D.J. Smith sent for glasses and Liz brought them. D.J. poured out three big shots.

"Well, here's looking at you, D.J.," said Charley Wyman.

"That damn big buck, Jimmy," said D.J.

"Here's all the ones we missed, D.J.," said Jim, and downed his liquor.

"Tastes good to a man."

"Nothing like it this time of year for what ails you."

"How about another, boys?"

"Here's how, D.J."

"Down the creek, boys."

"Here's to next year."

Jim began to feel great. He loved the taste and the feel of whiskey. He was glad to be back to a comfortable bed and warm food and the shop. He had another drink. The men came in to supper feeling hilarious but acting very respectable. Liz sat at the table after she put on the food and ate with the family. It was a good dinner. The men ate seriously. After supper they went into the front room again and Liz cleaned up with Mrs. Smith. Then Mrs. Smith went upstairs and pretty soon Smith came out and went upstairs too. Jim and Charley were still in the front room. Liz was sitting in the kitchen next to the stove pretending to read a book and thinking about Jim. She didn't want to go to bed yet because she knew Jim would be coming out and she wanted to see him as he went out so she could take the way he looked up to bed with her.

She was thinking about him hard and then Jim came out. His eyes were shining and his hair was a little rumpled. Liz looked down at her book. Jim came over back of her chair and stood there and she could feel him breathing and then he put his arms around her. Her breasts felt plump and firm and the nipples were erect under his hands. Liz was terribly frightened, no one had ever touched her, but she thought, "He's come to me finally. He's really come."

She held herself stiff because she was so frightened and did not know anything else to do and then Jim held her tight against the chair and kissed her. It was such a sharp, aching, hurting feeling that she thought she couldn't stand it. She felt Jim right through the back of the chair and she couldn't stand it and then something clicked inside of her and the feeling was warmer and softer. Jim held her tight hard against the chair and she wanted it now and Jim whispered, "Come on for a walk."

Liz took her coat off the peg on the kitchen wall and they went out the door. Jim had his arm around her and every little way they stopped and pressed against each other and Jim kissed her. There was no moon and they walked ankle-deep in the sandy road through the trees down to the dock and the warehouse on the bay. The water was lapping in the piles and the point was dark across the bay. It was cold but Liz was hot all over from being with Jim. They sat down in the shelter of the warehouse and Jim pulled Liz close to him. She was frightened. One of Jim's hands went inside her dress and stroked over her breast and the other hand was in her lap. She was very frightened and didn't know how he was going to go about things but she snuggled close to him. Then the hand that felt so big in her lap went away and was on her leg and started to move up it.

"Don't, Jim," Liz said. Jim slid the hand further up.

"You musn't, Jim. You musn't." Neither Jim nor Jim's big hand paid any attention to her.

The boards were hard. Jim had her dress up and was trying to do something to her. She was frightened but she wanted it. She had to have it but it frightened her.

"You musn't do it, Jim. You musn't."

"I got to. I'm going to. You know we got to."

"No we haven't, Jim. We ain't got to. Oh, it isn't right. Oh, it's so big and it hurts so. You can't. Oh, Jim. Jim. Oh."

The hemlock planks of the dock were hard and splintery and cold and Jim was heavy on her and he had hurt her. Liz pushed him, she was so uncomfortable and cramped. Jim was asleep. He wouldn't move. She worked out from under him and sat up and straightened her skirt and coat and tried to do something with her hair. Jim was sleeping with his mouth a little open. Liz leaned over and kissed him on the cheek. He was still asleep. She lifted his head a little and shook it. He rolled his head over and swallowed. Liz started to cry. She walked over to the edge of the dock and looked down to the water. There was a mist coming up from the bay. She was cold and miserable and everything felt gone. She walked back to where Jim was lying and shook him once more to make sure. She was crying.

"Jim," she said. "Jim. Please, Jim."

Jim stirred and curled a little tighter. Liz took off her coat and leaned over and covered him with it. She tucked it around him neatly and carefully. Then she walked across the dock and up the steep sandy road to go to bed. A cold mist was coming up through the woods from the bay.

The Old Man at the Bridge

An old man with steel rimmed spectacles and very dusty clothes sat by the side of the road. There was a pontoon bridge across the river and carts, trucks, and men, women and children were crossing it. The mule-drawn carts staggered up the steep bank from the bridge with soldiers helping push against the spokes of the wheels. The trucks ground up and away heading out of it all and the peasants plodded along in the ankle deep dust. But the old man sat there without moving. He was too tired to go any farther.

It was my business to cross the bridge, explore the bridgehead beyond and find out to what point the enemy had advanced. I did this and returned over the bridge. There were not so many carts now and very few people on foot, but the old man was still there.

"Where do you come from?" I asked him.

"From San Carlos," he said, and smiled.

That was his native town and so it gave him pleasure to mention it and he smiled.

"I was taking care of animals," he explained.

"Oh," I said, not quite understanding.

"Yes," he said, "I stayed, you see, taking care of animals. I was the last one to leave the town of San Carlos."

He did not look like a shepherd nor a herdsman and I looked at his black dusty clothes and his gray dusty face and his steel rimmed spectacles and said, "What animals were they?"

"Various animals," he said, and shook his head. "I had to leave them."

I was watching the bridge and the African looking country of the Ebro Delta and wondering how long now it would be before we would see the enemy, and listening all the while for the first noises that would signal that ever mysterious event called contact, and the old man still sat there.

"What animals were they?" I asked.

"There were three animals altogether," he explained. "There were two goats and a cat and then there were four pairs of pigeons."

“And you had to leave them?" I asked.

"Yes. Because of the artillery. The captain told me to go because of the artillery."

"And you have no family?" I asked, watching the far end of the bridge where a few last carts were hurrying down the slope of the bank.

"No," he said, "only the animals I stated. The cat, of course, will be all right. A cat can look out for itself, but I cannot think what will become of the others."

"What politics have you?" I asked.

"I am without politics," he said. "I am seventy-six years old. I have come twelve kilometers now and I think now I can go no further."

"This is not a good place to stop," I said. "If you can make it, there are trucks up the road where it forks for Tortosa."

"I will wait a while," he said, " and then I will go. Where do the trucks go?"

"Towards Barcelona," I told him.

"I know no one in that direction," he said, "but thank you very much. Thank you again very much."

He looked at me very blankly and tiredly, and then said, having to share his worry with someone, "The cat will be all right, I am sure. There is no need to be unquiet about the cat. But the others. Now what do you think about the others?"

"Why they'll probably come through it all right."

"You think so?"

"Why not," I said, watching the far bank where now there were no carts.

"But what will they do under the artillery when I was told to leave because of the artillery?"

"Did you leave the dove cage unlocked?" I asked.

"Yes."

"Then they'll fly."

"Yes, certainly they'll fly. But the others. It's better not to think about the others," he said.

"If you are rested I would go," I urged. "Get up and try to walk now."

"Thank you," he said and got to his feet, swayed from side to side and then sat down backwards in the dust.

"I was taking care of animals," he said dully, but no longer to me. "I was only taking care of animals."

There was nothing to do about him. It was Easter Sunday and the Fascists were advancing toward the Ebro. It was a gray overcast day with a low ceiling so their planes were not up. That and the fact that cats know how to look after themselves was all the good luck that old man would ever have.

In Another Country

In the fall the war was always there, but we did not go to it any more. It was cold in the fall in Milan and the dark came very early. Then the electric lights came on, and it was pleasant along the streets looking in the windows. There was much game hanging outside the shops, and the snow powdered in the fur of the foxes and the wind blew their tails. The deer hung stiff and heavy and empty, and small birds blew in the wind and the wind turned their feathers. It was a cold fall and the wind came down from the mountains.

We were all at the hospital every afternoon, and there were different ways of walking across the town through the dusk to the hospital. Two of the ways were alongside canals, but they were long. Always, though, you crossed a bridge across a canal to enter the hospital. There was a choice of three bridges. On one of them a woman sold roasted chestnuts. It was warm, standing in front of her charcoal fire, and the chestnuts were warm afterward in your pocket. The hospital was very old and very beautiful, and you entered a gate and walked across a courtyard and out a gate on the other side. There were usually funerals starting from the courtyard. Beyond the old hospital were the new brick pavilions, and there we met every afternoon and were all very polite and interested in what was the matter, and sat in the machines that were to make so much difference.

The doctor came up to the machine where I was sitting and said: "What did you like best to do before the war? Did you practice a sport?"

I said: "Yes, football."

"Good," he said. "You will be able to play football again better than ever."

My knee did not bend and the leg dropped straight from the knee to the ankle without a calf, and the machine was to bend the knee and make it move as riding a tricycle. But it did not bend yet, and instead the machine lurched when it came to the bending part. The doctor said:" That will all pass. You are a fortunate young man. You will play football again like a champion."

In the next machine was a major who had a little hand like a baby's. He winked at me when the doctor examined his hand, which was between two leather straps that bounced up and down and flapped the stiff fingers, and said: "And will I too play football, captain-doctor?" He had been a very great fencer, and before the war the greatest fencer in Italy.

The doctor went to his office in a back room and brought a photograph which showed a hand that had been withered almost as small as the major's, before it had taken a machine course, and after was a little larger. The major held the photograph with his good hand and looked at it very carefully. "A wound?" he asked.

"An industrial accident," the doctor said.

"Very interesting, very interesting," the major said, and handed it back to the doctor.

"You have confidence?"

"No," said the major.

There were three boys who came each day who were about the same age I was. They were all three from Milan, and one of them was to be a lawyer, and one was to be a painter, and one had intended to be a soldier, and after we were finished with the machines, sometimes we walked back together to the Café Cova, which was next door to the Scala. We walked the short way through the communist quarter because we were four together. The people hated us because we were officers, and from a wine-shop someone called out, "A basso gli ufficiali![4]" as we passed. Another boy who walked with us sometimes and made us five wore a black silk handkerchief across his face because he had no nose then and his face was to be rebuilt. He had gone out to the front from the military academy and been wounded within an hour after he had gone into the front line for the first time. They rebuilt his face, but he came from a very old family and they could never get the nose exactly right. He went to South America and worked in a bank. But this was a long time ago, and then we did not any of us know how it was going to be afterward. We only knew then that there was always the war, but that we were not going to it any more.

We all had the same medals, except the boy with the black silk bandage across his face, and he had not been at the front long enough to get any medals. The tall boy with a very pale face who was to be a lawyer had been lieutenant of Arditi and had three medals of the sort we each had only one of. He had lived a very long time with death and was a little detached. We were all a little detached, and there was nothing that held us together except that we met every afternoon at the hospital. Although, as we walked to the Cova through the tough part of town, walking in the dark, with light and singing coming out of the wine-shops, and sometimes having to walk into the street when the men and women would crowd together on the sidewalk so that we would have had to jostle them to get by, we felt held together by there being something that had happened that they, the people who disliked us, did not understand.

We ourselves all understood the Cova, where it was rich and warm and not too brightly lighted, and noisy and smoky at certain hours, and there were always girls at the tables and the illustrated papers on a rack on the wall. The girls at the Cova were very patriotic, and I found that the most patriotic people in Italy were the café girls - and I believe they are still patriotic.

The boys at first were very polite about my medals and asked me what I had done to get them. I showed them the papers, which were written in very beautiful language and full of fratellanza and abnegazione[5], but which really said, with the adjectives removed, that I had been given the medals because I was an American. After that their manner changed a little toward me, although I was their friend against outsiders. I was a friend, but I was never really one of them after they had read the citations, because it had been different with them and they had done very different things to get their medals. I had been wounded, it was true; but we all knew that being wounded, after all, was really an accident. I was never ashamed of the ribbons, though, and sometimes, after the cocktail hour, I would imagine myself having done all the things they had done to get their medals; but walking home at night through the empty streets with the cold wind and all the shops closed, trying to keep near the street lights, I knew that Ì would never have done such things, and I was very much afraid to die, and often lay in bed at night by myself, afraid to die and wondering how I would be when back to the front again.

The three with the medals were like hunting-hawks; and I was not a hawk, although I might seem a hawk to those who had never hunted; they, the three, knew better and so we drifted apart. But I stayed good friends with the boy who had been wounded his first day at the front, because he would never know now how he would have turned out; so he could never be accepted either, and I liked him because I thought perhaps he would not have turned out to be a hawk either.

The major, who had been a great fencer, did not believe in bravery, and spent much time while we sat in the machines correcting my grammar. He had complimented me on how I spoke Italian, and we talked together very easily. One day I had said that Italian seemed such an easy language to me that I could not take a great interest in it; everything was so easy to say. "Ah, yes," the major said. "Why, then, do you not take up the use of grammar?" So we took up the use of grammar, and soon Italian was such a difficult language that I was afraid to talk to him until I had the grammar straight in my mind.

The major came very regularly to the hospital. I do not think he ever missed a day, although I am sure he did not believe in the machines. There was a time when none of us believed in the machines, and one day the major said it was all nonsense. The machines were new then and it was we who were to prove them. It was an idiotic idea, he said, "a theory like another". I had not learned my grammar, and he said I was a stupid impossible disgrace, and he was a fool to have bothered with me. He was a small man and he sat straight up in his chair with his right hand thrust into the machine and looked straight ahead at the wall while the straps thumbed up and down with his fingers in them.

"What will you do when the war is over if it is over?" he asked me. "Speak grammatically!"

"I will go to the States."

"Are you married?"

"No, but I hope to be."

"The more a fool you are," he said. He seemed very angry. "A man must not marry."

"Why, Signor Maggiore?"

"Don't call me Signor Maggiore."

"Why must not a man marry?"

"He cannot marry. He cannot marry," he said angrily. "If he is to lose everything, he should not place himself in a position to lose that. He should not place himself in a position to lose. He should find things he cannot lose."

He spoke very angrily and bitterly, and looked straight ahead while he talked. "But why should he necessarily lose it?"

"He'll lose it," the major said. He was looking at the wall. Then he looked down at the machine and jerked his little hand out from between the straps and slapped it hard against his thigh. "He'll lose it," he almost shouted. "Don't argue with me!" Then he called to the attendant who ran the machines. "Come and turn this damned thing off."

He went back into the other room for the light treatment and the massage. Then I heard him ask the doctor if he might use his telephone and he shut the door. When he came back into the room, I was sitting in another machine. He was wearing his cape and had his cap on, and he came directly toward my machine and put his arm on my shoulder.

"I am sorry," he said, and patted me on the shoulder with his good hand. "I would not be rude. My wife has just died. You must forgive me."

"Oh-" I said, feeling sick for him. "I am so sorry."

He stood there biting his lower lip. "It is very difficult," he said. "I cannot resign myself."

He looked straight past me and out through the window. Then he began to cry. "I am utterly unable to resign myself," he said and choked. And then crying, his head up looking at nothing, carrying himself straight and soldierly, with tears on both cheeks and biting his lips, he walked past the machines and out the door.

The doctor told me that the major's wife, who was very young and whom he had not married until he was definitely invalided out of the war, had died of pneumonia. She had been sick only a few days. No one expected her to die. The major did not come to the hospital for three days. Then he came at the usual hour, wearing a black band on the sleeve of his uniform. When he came back, there were large framed photographs around the wall, of all sorts of wounds before and after they had been cured by the machines. In front of the machine the major used were three photographs of hands like his that were completely restored. I do not know where the doctor got them. I always understood we were the first to use the machines. The photographs did not make much difference to the major because he only looked out of the window.

Indian Camp

At the lake shore there was another rowboat drawn up. The two Indians stood waiting.

Nick and his father got in the stern of the boat and the Indians shoved it off and one of them got in to row. Uncle George sat in the stern of the camp rowboat. The young Indian shoved the camp boat off and got in to row Uncle George.

The two boats started off in the dark. Nick heard the oarlocks of the other boat quite a way ahead of them in the mist. The Indians rowed with quick choppy strokes. Nick lay back with his father's arm around him. It was cold on the water. The Indian who was rowing them was working very hard, but the other boat moved further ahead in the mist all the time.

"Where are we going, Dad?" Nick asked.

 "Over to the Indian camp. There is an Indian lady very sick."

 "Oh," said Nick.

Across the bay they found the other boat beached. Uncle George was smoking a cigar in the dark. The young Indian pulled the boat way up on the beach. Uncle George gave both the Indians cigars.

They walked up from the beach through a meadow that was soaking wet with dew, following the young Indian who carried a lantern. Then they went into the woods and followed a trail that led to the logging road that ran back into the hills. It was much lighter on the logging road as the timber was cut away on both sides. The young Indian stopped and blew out his lantern and they all walled on along the road.

They came around a bend and a dog came out barking. Ahead were the lights of the shanties where the Indian bark-peelers lived. More dogs rushed out at them. The two Indians sent them back to the shanties. In the shanty nearest the road there was a light in the window. An old woman stood in the doorway holding a lamp.

Inside on a wooden bunk lay a young Indian woman. She had been trying to have her baby for two days. All the old women in the camp had been helping her. The men had moved off up the road to sit in the dark and smoke cut of range of the noise she made. She screamed just as Nick and the two Indians followed his father and Uncle George into the shanty. She lay in the lower bunk, very big under a quilt. Her head was turned to one side. In the upper bunk was her husband. He had cut his foot very badly with an ax three days before. He was smoking a pipe. The room smelled very bad.

Nick's father ordered some water to be put on the stove, and while it was heating he spoke to Nick.

"This lady is going to have a baby, Nick," he said.

"I know," said Nick.

"You don't know," said his father. "Listen to me. What she is going through is called being in labor. The baby wants to be born and she wants it to be born. All her muscles are trying to get the baby born. That is what is happening when she screams."

"I see," Nick said.

Just then the woman cried out.

"Oh, Daddy, can't you give her something to make her stop screaming?" asked Nick.

"No. I haven't any anesthetic," his father said. "But her screams are not important. I don't hear them because they are not important."

The husband in the upper bunk rolled over against the wall.

The woman in the kitchen motioned to the doctor that the water was hot. Nick's father went into the kitchen and poured about half of the water out of the big kettle into a basin. Into the water left in the kettle he put several things he unwrapped from a handkerchief.

"Those must boil," he said, and began to scrub his hands in the basin of hot water with a cake of soap he had brought from the camp. Nick watched his father's hands scrubbing each other with the soap. While his father washed his hands very carefully and thoroughly, he talked.

"You see, Nick, babies are supposed to be born head first but sometimes they're not. When they're not they make a lot of trouble for everybody. Maybe I'll have to operate on this lady. We'll know in a little while."

When he was satisfied with his hands he went in and went to work.

"Pull back that quilt, will you, George?" he said. "I'd rather not touch it."

Later when he started to operate Uncle George and three Indian men held the woman still. She bit Uncle George on the arm and Uncle George said, "Damn squaw bitch!" and the young Indian who had rowed Uncle George over laughed at him. Nick held the basin for his father. It all took a long time.

His father picked the baby up and slapped it to make it breathe and handed it to the old woman.

"See, it's a boy, Nick," he said. "How do you like being an interne?"

Nick said. "All right." He was looking away so as not to see what his father was doing.

"There. That gets it," said his father and put something into the basin.

Nick didn't look at it.

"Now," his father said, "there's some stitches to put in. You can watch this or not, Nick, just as you like. I'm going to sew up the incision I made."

Nick did not watch. His curiosity had been gone for a long time.

His father finished and stood up. Uncle George and the three Indian men stood up. Nick put the basin out in the kitchen.

Uncle George looked at his arm. The young Indian smiled reminiscently.

"I'll put some peroxide on that, George," the doctor said.

He bent over the Indian woman. She was quiet now and her eyes were closed. She looked very pale. She did not know what had become of the baby or anything.

"I'll be back in the morning." the doctor said, standing up.

"The nurse should be here from St. Ignace by noon and she'll bring everything we need."

He was feeling exalted and talkative as football players are in the dressing room after a game.

"That's one for the medical journal, George," he said. "Doing a Caesarian with a jack-knife and sewing it up with nine-foot, tapered gut leaders."

Uncle George was standing against the wall, looking at his arm.

"Oh, you're a great man, all right," he said.

"Ought to have a look at the proud father. They're usually the worst sufferers in these little affairs," the doctor said. "I must say he took it all pretty quietly."

He pulled back the blanket from the Indian's head. His hand came away wet. He mounted on the edge of the lower bunk with the lamp in one hand and looked in. The Indian lay with his face toward the wall. His throat had been cut from ear to ear. The blood had flowed down into a pool where his body sagged the bunk. His head rested on his left arm. The open razor lay, edge up, in the blankets.

"Take Nick out of the shanty, George," the doctor said.

There was no need of that. Nick, standing in the door of the kitchen, had a good view of the upper bunk when his father, the lamp in one hand, tipped the Indian's head back.

It was just beginning to be daylight when they walked along the logging road back toward the lake.

"I'm terribly sorry I brought you along; Nickie," said his father, all his post-operative exhilaration gone. "It was an awful mess to put you through."

"Do ladies always have such a hard time having babies?" Nick asked.

"No, that was very, very exceptional."

"Why did he kill himself, Daddy?"

"I don't know, Nick. He couldn't stand things, I guess."

"Do many men kill themselves, Daddy?"

"Not very many, Nick."

"Do many women?"

"Hardly ever."

"Don't they ever?"

"Oh, yes. They do sometimes."

"Daddy?"

"Yes."

"Where did Uncle George go?"

"He'll turn up all right."

"Is dying hard, Daddy?"

"No, I think it's pretty easy, Nick. It all depends."

They were seated in the boat. Nick in the stern, his father rowing. The sun was coming up over the hills. A bass jumped, making a circle in the water. Nick trailed his hand in the water. It felt warm in the sharp chill of the morning.

In the early morning on the lake sitting in the stern of the boat with his father rowing; he felt quite sure that he would never die.

The Doctor and the Doctor’s Wife

Dick Boulton came from the Indian camp to cut up logs for Nick’s father. He brought his son Eddy and another Indian named Billy Tabeshaw with him. They came in through the back gate out of the woods, Eddy carrying the long cross-cut saw. It flopped over his shoulder and made a musical sound as he walked. Billy Tabeshaw carried two big cant-hooks. Dick had three axes under his arm.

He turned and shut the gate. The others went on ahead of him down to the lake shore where the logs were buried in the sand.

The logs had been lost from the big log booms that were towed down the lake to the mill by the steamer Magic. They had drifted up onto the beach and if nothing were done about them sooner or later the crew of the Magic would come along the shore in a rowboat, spot the logs, drive an iron spike with a ring on it into the end of each one and then tow them out into the lake to make a new boom. But the lumbermen might never come for them because a few logs were not worth the price of a crew to gather them. If no one came for them they would be left to waterlog and rot on the beach.

Nick’s father always assumed that this was what would happen, and hired the Indians to come down from the camp and cut the logs up with the cross-cut saw and split them with a wedge to make cord wood and chunks for the open fireplace. Dick Boulton walked around past the cottage down to the lake. There were four big beech logs lying almost buried in the sand. Eddy hung the saw up by one of its handles in the crotch of a tree. Dick put the three axes down on the little dock. Dick was a half-breed and many of the farmers around the lake believed he was really a white man. He was very lazy but a great worker once he was started. He took a plug of tobacco out of his pocket, bit off a chew and spoke in Ojibway to Eddy and Billy Tabeshaw.

They sunk the ends of their cant-hooks into one of the logs and swung against it to loosen it in the sand. They swung their weight against the shafts of the cant-hooks. The log moved in the sand. Dick Boulton turned to Nick’s father.

“Well, Doc,” he said, “that’s a nice lot of timber you’ve stolen.”

“Don’t talk that way, Dick,” the doctor said. “It’s driftwood.”

Eddy and Billy Tabeshaw had rocked the log out of the wet sand and rolled it toward the water.

“Put it right in,” Dick Boulton shouted.

“What are you doing that for?” asked the doctor.

“Wash it off. Clean off the sand on account of the saw. I want to see who it belongs to,” Dick said.

The log was just awash in the lake. Eddy and Billy Tabeshaw leaned on their cant-hooks sweating in the sun. Dick kneeled down in the sand and looked at the mark of the scaler’s hammer in the wood at the end of the log.

“It belongs to White and McNally,” he said, standing up and brushing off his trousers knees.

The doctor was very uncomfortable.

“You’d better not saw it up then, Dick,” he said, shortly.

“Don’t get huffy, Doc,” said Dick. “Don’t get huffy. I don’t care who you steal from. It’s none of my business.”

“If you think the logs are stolen, leave them alone and take your tools back to the camp,” the doctor said. His face was red.

“Don’t go off at half cock, Doc,” Dick said. He spat tobacco juice on the log. It slid off, thinning in the water. “You know they’re stolen as well as I do. It don’t make any difference to me.”

“All right. If you think the logs are stolen, take your stuff and get out.”

“Now, Doc — ”

“Take your stuff and get out.”

“Listen, Doc.”

“If you call me Doc once again. I’ll knock your eye teeth down your throat.”

“Oh, no, you won’t, Doc.”

Dick Boulton looked at the doctor. Dick was a big man. He knew how big a man he was. He liked to get into fights. He was happy. Eddy and Billy Tabeshaw leaned on their cant-hooks and looked at the doctor. The doctor chewed the beard on his lower lip and looked at Dick Boulton. Then he turned away and walked up the hill to the cottage. They could see from his back how angry he was. They all watched him walk up the hill and go inside the cottage.

Dick said something in Ojibway. Eddy laughed but Billy Tabeshaw looked very serious. He did not understand English but he had sweat all the time the row was going on. He was fat with only a few hairs of mustache like a Chinaman. He picked up the two cant-hooks. Dick picked up the axes and Eddy took the saw down from the tree. They started off and walked up past the cottage and out the back gate into the woods. Dick left the gate open. Billy Tabeshaw went back and fastened it. They were gone through the woods.

In the cottage the doctor, sitting on the bed in his room, saw a pile of medical journals on the floor by the bureau. They were still in their wrappers unopened. It irritated him.

“Aren’t you going back to work, dear?” asked the doctor’s wife from the room where she was lying with the blinds drawn.

“No!”

“Was anything the matter?”

“I had a row with Dick Boulton.”

“Oh,” said his wife. “I hope you didn’t lose your temper, Henry.”

“No,” said the doctor.

“Remember, that he who ruleth his spirit is greater than he that taketh a city,” said his wife. She was a Christian Scientist. Her Bible, her copy of Science and Health and her Quarterly were on a table beside her bed in the darkened room.

Her husband did not answer. He was sitting on his bed now, cleaning a shotgun. He pushed the magazine full of the heavy yellow shells and pumped them out again. They were scattered on the bed.

“Henry,” his wife called. Then paused a moment. “Henry!”

“Yes,” the doctor said.

“You didn’t say anything to Boulton to anger him, did you?”

“No,” said the doctor.

“What was the trouble about, dear?”

“Nothing much.”

“Tell me, Henry. Please don’t try and keep anything from me. What was the trouble about?”

“Well, Dick owes me a lot of money for pulling his squaw through pneumonia and I guess he wanted a row so he wouldn’t have to take it out in work.”

His wife was silent. The doctor wiped his gun carefully with a rag. He pushed the shells back in against the spring of the magazine. He sat with the gun on his knees. He was very fond of it. Then he heard his wife’s voice from the darkened room.

“Dear, I don’t think, I really don’t think that any one would really do a thing like that.”

“No?” the doctor said.

“No. I can’t really believe that any one would do a thing of that sort intentionally.”

The doctor stood up and put the shotgun in the corner behind the dresser.

“Are you going out, dear?” his wife said.

“I think I’ll go for a walk,” the doctor said.

“If you see Nick, dear, will you tell him his mother wants to see him?” his wife said.

The doctor went out on the porch. The screen door slammed behind him. He heard his wife catch her breath when the door slammed.

“Sorry,” he said, outside her window with the blinds drawn.

“It’s all right, dear,” she said.

He walked in the heat out the gate and along the path into the hemlock woods. It was cool in the woods even on such a hot day. He found Nick sitting with his back against a tree, reading.

“Your mother wants you to come and see her,” the doctor said.

“I want to go with you,” Nick said.

His father looked down at him.

“All right. Come on, then,” his father said. “Give me the book, I’ll put it in my pocket.”

“I know where there’s black squirrels, Daddy,” Nick said.

“All right,” said his father. “Let’s go there.”

Ten Indians

After one Fourth of July, Nick, driving home late from town in the big wagon with Joe Garner and his family, passed nine drunken Indians along the road. He remembered there were nine because Joe Garner, driving along in the dusk, pulled up the horses, jumped down into the road and dragged an Indian out of the wheel rut. The Indian had been asleep, face down in the sand. Joe dragged him into bushes and got back up on the wagon-box.

“That makes nine of them,” Joe said, “just between here and the edge of town.”

“Them Indians,” said Mrs. Garner.

Nick was on the back seat with the two Garner boys. He was looking out from the back seat to see the Indian where Joe had dragged him alongside of the road.

“Was it Billy Tabeshaw?” Carl asked.

“No.”

“His pants looked mighty like Billy.”

“All Indians wear the same kind of pants.”

“I didn’t see him at all,” Frank said. “Pa was down into the road and back up again before I seen a thing. I thought he was killing a snake.”

“Plenty of Indians’ll kill snakes tonight, I guess,” Joe Garner said.

“Them Indians,” said Mrs. Garner.

They drove along. The road turned off from the main highway and went up into the hills. It was hard pulling for the horses and the boys got down and walked. The road was sandy. Nick looked back from the top of the hill by the schoolhouse. He saw the lights of Petoskey and, off across Little Traverse Bay, the lights of Harbour Springs. They climbed back in the wagon again.

“They ought to put some gravel on that stretch,” Joe Garner said. The wagon went along the road through the woods. Joe and Mrs. Garner sat close together on the front seat. Nick sat between the two boys. The road came out into a clearing.

“Right here was where Pa ran over the skunk.”

“It was further on.”

“It don’t make no difference where it was,” Joe said without turning his head. “One place is just as good as another to run over a skunk.”

“I saw two skunks last night,” Nick said.

“Where?”

“Down by the lake. They were looking for dead fish along the beach.”

“They were coons probably,” Carl said.

“They were skunks. I guess I know skunks.”

“You ought to,” Carl said. “You got an Indian girl.”

“Stop talking that way, Carl,” said Mrs. Garner.

“Well, they smell about the same.”

Joe Garner laughed.

“You stop laughing, Joe,” Mrs. Garner said. “I won’t have Carl talk that way.”

“Have you got an Indian girl, Nickie?” Joe asked.

“No.”

“He has too, Pa,” Frank said. “Prudence Mitchell’s his girl.”

“She’s not.”

“He goes to see her every day.”

“I don’t.” Nick, sitting between the two boys in the dark, felt hollow and happy inside himself to be teased about Prudence Mitchell. “She ain’t my girl,” he said.

“Listen to him,” said Carl. “I see them together every day.”

“Carl can’t get a girl,” his mother said, “not even a squaw.”

Carl was quiet.

“Carl ain’t no good with girls,” Frank said.

“You shut up.”

“You’re all right, Carl,” Joe Garner said. “Girls never got a man anywhere. Look at your pa.”

“Yes, that’s what you would say,” Mrs. Garner moved close to Joe as the wagon jolted. “Well, you had plenty of girls in your time.”

“I’ll bet Pa wouldn’t ever have had a squaw for a girl.”

“Don’t you think it,” Joe said. “You better watch out to keep Prudie, Nick.”

His wife whispered to him and Joe laughed.

“What you laughing at?” asked Frank.

“Don’t you say it, Garner,” his wife warned. Joe laughed again.

“Nickie can have Prudence,” Joe Garner said. “I got a good girl.”

“That’s the way to talk,” Mrs. Garner said.

The horses were pulling heavily in the sand. Joe reached out in the dark with the whip.

“Come on, pull into it. You’ll have to pull harder than this tomorrow.”

They trotted down the long hill, the wagon jolting. At the farmhouse everybody got down. Mrs. Garner unlocked the door, went inside, and came out with a lamp in her hand. Carl and Nick unloaded the things from the back of the wagon. Frank sat on the front seat to drive to the barn and put up the horses. Nick went up the steps and opened the kitchen door. Mrs. Garner was building a fire in the stove. She turned from pouring kerosene on the wood.

“Good-by, Mrs. Garner,” Nick said. “Thanks for taking me.”

“Oh shucks, Nickie.”

“I had a wonderful time.”

“We like to have you. Won’t you stay and eat some supper?”

“I better go. I think Dad probably waited for me.”

“Well, get along then. Send Carl up to the house, will you?”

“All right.”

“Good-night, Nickie.”

“Good-night, Mrs. Garner.”

Nick went out the farmyard and down to the barn. Joe and Frank were milking.

“Good-night,” Nick said. “I had a swell time.”

“Good-night, Nick,” Joe Garner called. “Aren’t you going to stay and eat?”

“No, I can’t. Will you tell Carl his mother wants him?”

“All right. Good-night, Nickie.”

Nick walked barefoot along the path through the meadow below the barn. The path was smooth and the dew was cool on his bare feet. He climbed a fence at the end of the meadow, went down through a ravine, his feet wet in the swamp mud, and then climbed up through the dry beech woods until he saw the lights of the cottage. He climbed over the fence and walked around to the front porch. Through the window he saw his father sitting by the table, reading in the light from the big lamp. Nick opened the door and went in.

“Well, Nickie,” his father said, “was it a good day?”

“I had a swell time, Dad. It was a swell Fourth of July.”

“Are you hungry?”

“You bet.”

“What did you do with your shoes?”

“I left them in the wagon at Garner’s.”

“Come on out to the kitchen.”

Nick’s father went ahead with the lamp. He stopped and lifted the lid of the ice-box. Nick went on into the kitchen. His father brought in a piece of cold chicken on a plate and a pitcher of milk and put them on the table before Nick. He put down the lamp.

“There’s some pie too,” he said. “Will that hold you?”

“It’s grand.”

His father sat down in a chair beside the oil-cloth-covered table. He made a big shadow on the kitchen wall.

“Who won the ball game?”

“Petoskey. Five to three.”

His father sat watching him eat and filled his glass from the milk-pitcher. Nick drank and wiped his mouth on his napkin. His father reached over to the shelf for the pie. He cut Nick a big piece. It was huckleberry pie.

“What did you do, Dad?”

“I went out fishing in the morning.”

“What did you get?”

“Only perch.”

His father sat watching Nick eat the pie.

“What did you do this afternoon?” Nick asked.

“I went for a walk up by the Indian camp.”

“Did you see anybody?”

“The Indians were all in town getting drunk.”

“Didn’t you see anybody at all?”

“I saw your friend, Prudie.”

“Where was she?”

“She was in the woods with Frank Washburn. I ran onto them. They were having quite a time.”

His father was not looking at him.

“What were they doing?”

“I didn’t stay to find out.”

“Tell me what they were doing.”

“I don’t know,” his father said. “I just heard them threshing around.”

“How did you know it was them?”

“I saw them.”

“I thought you said you didn’t see them.”

“Oh, yes, I saw them.”

“Who was it with her?” Nick asked.

“Frank Washburn.”

“Were they — were they — ”

“Were they what?”

“Were they happy?”

“I guess so.”

His father got up from the table and went out the kitchen screen door. When he came back Nick was looking at his plate. He had been crying.

“Have some more?” His father picked up the knife to cut the pie.

“No.” said Nick.

“You better have another piece”

“No, I don’t want any.”

His father cleared off the table.

“Where were they in the woods?” Nick asked.

“Up back of the camp.” Nick looked at his plate. His father said, “You better go to bed, Nick.”

“All right.”

Nick went into his room, undressed, and got into bed. He heard his father moving around in the living room. Nick lay in the bed with his face in the pillow.

“My heart’s broken,” he thought. “If I feel this way my heart must be broken.”

After a while he heard his father blow out the lamp and go into his own room. He heard a wind come up in the trees outside and felt it come in cool through the screen. He lay for a long time with his face in the pillow, and after a while he forgot to think about Prudence and finally he went to sleep. When he awoke in the night he heard the wind in the hemlock trees outside the cottage and the waves of the lake coming in on the shore, and he went back to sleep. In the morning there was a big wind blowing and the waves were running high up on the beach and he was awake a long time before he remembered that his heart was broken.

Out of Season

On the four Lire Peduzzi had earned by spading the hotel garden he got quite drunk. He saw the young gentleman coming down the path and spoke to him mysteriously. The young gentleman said he had not eaten but would be ready to go as soon as lunch was finished. Forty minutes or an hour.

At the cantina near the bridge they trusted him for three more grappas because he was so confident and mysterious about his job for the afternoon. It was a windy day with the sun coming out from behind clouds and then going under in sprinkles of rain. A wonderful day for trout fishing.

The young gentleman came out of the hotel and asked him about the rods. Should his wife come behind with the rods? “Yes,” said Peduzzi, “let her follow us.” The young gentleman went back into the hotel and spoke to his wife. He and Peduzzi started down the road. The young gentleman had a musette over his shoulder. Peduzzi saw the wife, who looked as young as the young gentleman, and was wearing mountain boots and a blue beret, start out to follow them down the road, carrying the fishing rods, unjointed, one in each hand. Peduzzi didn’t like her to be way back there. “Signorina,” he called, winking at the young gentleman, “come up here and walk with us. Signora, come up here. Let us all walk together.” Peduzzi wanted them all three to walk down the street of Cortina together.

The wife stayed behind, following rather sullenly. “Signorina,” Peduzzi called tenderly, “come up here with us.” The young gentleman looked back and shouted something. The wife stopped lagging behind and walked up.

Everyone they met walking through the main street of the town Peduzzi greeted elaborately. Buon dì, Arturo! Tipping his hat. The bank clerk stared at him from the door of the Fascist café. Groups of three and four people standing in front of the shops stared at the three. The workmen in their stone-powdered jackets working on the foundations of the new hotel looked up as they passed. Nobody spoke or gave any sign to them except the town beggar, lean and old, with a spittle-thickened beard, who lifted his hat as they passed.

Peduzzi stopped in front of a store with the window full of bottles and brought his empty grappa bottle from an inside pocket of his old military coat. “A little to drink, some marsala for the Signora, something, something to drink.” He gestured with the bottle. It was a wonderful day. “Marsala, you like marsala, Signorina? A little marsala?”

The wife stood sullenly. “You’ll have to play up to this,” she said. “I can’t understand a word he says. He’s drunk, isn’t he?”

The young gentleman appeared not to hear Peduzzi. He was thinking, what in hell makes him say marsala? That’s what Max Beerbohm drinks.

“Geld,” Peduzzi said finally, taking hold of the young gentleman’s sleeve. “Lire.” He smiled, reluctant to press the subject but needing to bring the young gentleman into action.

The young gentleman took out his pocketbook and gave him a ten-lira note. Peduzzi went up the steps to the door of the Specialty of Domestic and Foreign Wines shop. It was locked.

“It is closed until two,” someone passing in the street said scornfully. Peduzzi came down the steps. He felt hurt. “Never mind,” he said, “we can get it at the Concordia.”

They walked down the road to the Concordia three abreast. On the porch of the Concordia, where the rusty bobsleds were stacked, the young gentleman said, “Was wollen Sie?” Peduzzi handed him the ten-lira note folded over and over. “Nothing,” he said, “anything.” He was embarrassed. “Marsala, maybe. I don’t know. Marsala?”

The door of the Concordia shut on the young gentleman and the wife. “Three marsalas,” said the young gentleman to the girl behind the pastry counter. “Two, you mean?” she asked. “No,” he said, “one for a vecchio.” “Oh,” she said, “a vecchio,” and laughed, getting down the bottle. She poured out the three muddy looking drinks into three glasses. The wife was sitting at a table under the line of newspapers on sticks. The young gentleman put one of the marsalas in front of her. “You might as well drink it,” he said, “maybe it’ll make you feel better.” She sat and looked at the glass. The young gentleman went outside the door with a glass for Peduzzi but could not see him.

“I don’t know where he is,” he said, coming back into the pastry room carrying the glass.

“He wanted a quart of it,” said the wife.

“How much is a quarter litre?” the young gentleman asked the girl.

“Of the bianco? One lira.”

“No, of the marsala. Put these two in, too,” he said, giving her his own glass and the one poured for Peduzzi. She filled the quarter litre wine measure with a funnel. “A bottle to carry it,” said the young gentleman.

She went to hunt for a bottle. It all amused her.

“I’m sorry you feel so rotten, Tiny,” he said. “I’m sorry I talked the way I did at lunch. We were both getting at the same thing from different angles.”

“It doesn’t make any difference,” she said. “None of it makes any difference.”

“Are you too cold?” he asked. “I wish you’d worn another sweater.”

“I’ve got on three sweaters.”

The girl came in with a very slim brown bottle and poured the marsala into it. The young gentleman paid five lire more. They went out the door. The girl was amused. Peduzzi was walking up and down at the other end out of the wind and holding the rods.

“Come on” he said, “I will carry the rods. What difference does it make if anybody sees them? No one will trouble us. No one will make any trouble for me in Cortina. I know them at the municipio. I have been a soldier. Everybody in this town likes me. I sell frogs. What if it is forbidden to fish? Not a thing. Nothing. No trouble. Big trout, I tell you. Lots of them.”

They were walking down the hill toward the river. The town was in back of them. The sun had gone under and it was sprinkling rain. “There,” said Peduzzi, pointing to a girl in the doorway of a house they passed. “My daughter.”

“His doctor,” the wife said, “has he got to show us his doctor?”

“He said his daughter,” said the young gentleman.

The girl went into the house as Peduzzi pointed.

They walked down the hill across the fields and then turned to follow the river bank. Peduzzi talked rapidly with much winking and knowingness. As they walked three abreast the wife caught his breath across the wind. Once he nudged her in the ribs. Part of the time he talked in d’Ampezzo dialect and sometimes in Tyroler German dialect. He could not make out which the young gentleman and his wife understood the best so he was being bilingual. But as the young gentleman said, “Ja, Ja,” Peduzzi decided to talk altogether in Tyroler. The young gentleman and the wife understood nothing.

“Everybody in the town saw us going through with these rods. We’re probably being followed by the game police now. I wish we weren’t in on this damn thing. This damned old fool is so drunk, too.”

“Of course you haven’t got the guts to just go back,” said the wife. “Of course you have to go on.”

“Why don’t you go back? Go on back, Tiny.”

“I’m going to stay with you. If you go to jail we might as well both go.”

They turned sharp down the bank and Peduzzi stood, his coat blowing in the wind, gesturing at the river. It was brown and muddy. Off on the right there was a dump heap.

“Say it to me in Italian,” said the young gentleman.

“Un’ mezz’ora. Piu d’un’ mezz’ora.”

“He says it’s at least a half hour more. Go on back, Tiny. You’re cold in this wind anyway. It’s a rotten day and we aren’t going to have any fun, anyway.”

“All right,” she said, and climbed up the grassy bank.

Peduzzi was down at the river and did not notice her till she was almost out of sight over the crest. “Frau!” he shouted. “Frau! Fräulein! You’re not going.”

She went on over the crest of the hill.

“She’s gone!” said Peduzzi. It shocked him.

He took off the rubber bands that held the rod segments together and commenced to joint up one of the rods.

“But you said it was half an hour further.”

“Oh, yes. It is good half an hour down. It is good here, too.”

“Really?”

“Of course. It is good here and good there, too.”

The young gentleman sat down on the bank and jointed up a rod, put on the reel and threaded the line through the guides. He felt uncomfortable and afraid that any minute a gamekeeper or a posse of citizens would come over the bank from the town. He could see the houses of the town and the campanile over the edge of the hill. He opened his leader box. Peduzzi leaned over and dug his flat, hard thumb and forefinger in and tangled the moistened leaders.

“Have you some lead?”

“No.”

“You must have some lead.” Peduzzi was excited. “You must have piombo. Piombo. A little piombo. Just here. Just above the hook or your bait will float on the water. You must have it. Just a little piombo.”

“Have you got some?”

“No.” He looked through his pockets desperately. Sifting through the cloth dirt in the linings of his inside military pockets. “I haven’t any. We must have piombo.”

“We can’t fish then,” said the young gentleman, and unjointed the rod, reeling the line back through the guides. “We’ll get some piombo and fish tomorrow.”

“But listen, caro, you must have piombo. The line will lie flat on the water.” Peduzzi’s day was going to pieces before his eyes. “You must have piombo. A little is enough. Your stuff is all clean and new but you have no lead. I would have brought some. You said you had everything.”

The young gentleman looked at the stream discolored by the melting snow. “I know,” he said, “we’ll get some piombo and fish tomorrow.”

“At what hour in the morning? Tell me that.”

“At seven.”

The sun came out. It was warm and pleasant. The young gentleman felt relieved. He was no longer breaking the law. Sitting on the bank he took the bottle of marsala out of his pocket and passed it to Peduzzi. Peduzzi passed it back. The young gentleman took a drink of it and passed it to Peduzzi again. Peduzzi passed it back again. “Drink,” he said, “drink. It’s your marsala.” After another short drink the young gentleman handed the bottle over. Peduzzi had been watching it closely. He took the bottle very hurriedly and tipped it up. The gray hairs in the folds of his neck oscillated as he drank, his eyes fixed on the end of the narrow brown bottle. He drank it all. The sun shone while he drank. It was wonderful. This was a great day, after all. A wonderful day.

“Senta, caro! In the morning at seven.” He had called the young gentleman caro several times and nothing had happened. It was good marsala. His eyes glistened. Days like this stretched out ahead. It would begin at seven in the morning.

They started to walk up the hill toward the town. The young gentleman went on ahead. He was quite a way up the hill. Peduzzi called to him.

“Listen, caro, can you let me take five lire for a favor?”

“For today?” asked the young gentleman frowning.

“No, not today. Give it to me today for tomorrow. I will provide everything for tomorrow. Pane, salami, formaggio, good stuff for all of us. You and I and the Signora. Bait for fishing, minnows, not worms only. Perhaps I can get some marsala. All for five lire. Five lire for a favor.”

The young gentleman looked through his pocketbook and took out a two-lira note and two ones.

“Thank you, caro. Thank you,” said Peduzzi, in the tone of one member of the Carleton Club accepting the Morning Post from another. This was living. He was through with the hotel garden, breaking up frozen manure with a dung fork. Life was opening out.

“Until seven o’clock then, caro,” he said, slapping the young gentleman on the back. “Promptly at seven.”

“I may not be going,” said the young gentleman putting his purse back in his pocket.

“What,” said Peduzzi, “I will have minnows, Signor. Salami, everything. You and I and the Signora. The three of us.”

“I may not be going,” said the young gentleman, “very probably not. I will leave word with the padrone at the hotel office.”

The butterfly and the tank

On this evening I was walking home from the censorship office to the Florida Hotel and it was raining. So about halfway home I got sick of the rain and stopped into Chicote’s for a quick one. It was the second winter of shelling in the siege of Madrid and everything was short including tobacco and people’s tempers and you were a little hungry all the time and would become suddenly and unreasonably irritated at things you could do nothing about such as the weather. I should have gone on home. It was only five blocks more, but when I saw Chicote’s doorway I thought I would get a quick one and then do those six blocks up the Gran Via through the mud and rubble of the streets broken by the bombardment.

The place was crowded. You couldn’t get near the bar and all the tables were full. It was full of smoke, singing, men in uniform, and the smell of wet leather coats, and they were handing drinks over a crowd that was three deep at the bar.

A waiter I knew found a chair from another table and I sat down with a thin, white-faced, Adam’s-appled German I knew who was working at the censorship and two other people I did not know. The table was in the middle of the room a little on your right as you go in.

You couldn’t hear yourself talk for the singing and I ordered a gin and Angostura and put it down against the rain. The place was really packed and everybody was very jolly; maybe getting just a little bit too jolly from the newly made Catalan liquor most of them were drinking. A couple of people I did not know slapped me on the back and when the girl at our table said something to me, I couldn’t hear it and said, “Sure.”

She was pretty terrible looking now I had stopped looking around and was looking at our table; really pretty terrible. But it turned out, when the waiter came, that what she had asked me was to have a drink. The fellow with her was not very forceful looking but she was forceful enough for both of them. She had one of those strong, semi-classical faces and was built like a lion tamer; and the boy with her looked as though he ought to be wearing an old school tie. He wasn’t though. He was wearing a leather coat just like all the rest of us. Only it wasn’t wet because they had been there since before the rain started. She had on a leather coat too and it was becoming to the sort of face she had.

By this time I was wishing I had not stopped into Chicote’s but had gone straight on home where you could change your clothes and be dry and have a drink in comfort on the bed with your feet up, and I was tired of looking at both of these young people. Life is very short and ugly women are very long and sitting there at the table I decided that even though I was a writer and supposed to have an insatiable curiosity about all sorts of people, I did not really care to know whether these two were married, or what they saw in each other, or what their politics were, or whether he had a little money, or she had a little money, or anything about them. I decided they must be in the radio. Any time you saw really strange looking civilians in Madrid they were always in the radio. So to say something I raised my voice above the noise and asked, “You in the radio?”

“We are,” the girl said. So that was that. They were in the radio.

“How are you comrade?” I said to the German.

“Fine. And you?”

“Wet,” I said, and he laughed with his head on one side.

“You haven’t got a cigarette?” he asked. I handed him my next to the last pack of cigarettes and he took two. The forceful girl took two and the young man with the old school tie face took one.

“Take another,” I shouted.

“No thanks,” he answered and the German took it instead.

“Do you mind?” he smiled.

“Of course not,” I said. I really minded and he knew it. But he wanted the cigarettes so badly that it did not matter. The singing had died down momentarily, or there was a break in it as there is sometimes in a storm, and we could all hear what we said.

“You been here long?” the forceful girl asked me. She pronounced it bean as in bean soup.

“Off and on,” I said.

“We must have a serious talk,” the German said. “I want to have a talk with you. When can we have it?”

“I’ll call you up,” I said. This German was a very strange German indeed and none of the good Germans liked him. He lived under the delusion that he could play the piano, but if you kept him away from pianos he was all right unless he was exposed to liquor, or the opportunity to gossip, and nobody had even been able to keep him away from those two things yet.

Gossip was the best thing he did and he always knew something new and highly discreditable about anyone you could mention in Madrid, Valencia, Barcelona, and other political centers.

Just then the singing really started in again, and you cannot gossip very well shouting, so it looked like a dull afternoon at Chicote’s and I decided to leave as soon as I should have bought a round myself.

Just then it started. A civilian in a brown suit, a white shirt, black tie, his hair brushed straight back from a rather high forehead, who had been clowning around from table to table, squirted one of the waiters with a flit gun. Everybody laughed except the waiter who was carrying a tray full of drinks at the time. He was indignant.

“No hay derecho,” the waiter said. This means, “You have no right to do that,” and is the simplest and the strongest protest in Spain.

The flit gun man, delighted with his success, and not seeming to give any importance to the fact that it was well into the second year of the war, that he was in a city under siege where everyone was under a strain, and that he was one of only four men in civilian clothes in the place, now squirted another waiter.

I looked around for a place to duck to. This waiter, also, was indignant and the flit gun man squirted him twice more, lightheartedly. Some people still thought it was funny, including the forceful girl. But the waiter stood, shaking his head. His lips were trembling. He was an old man and he had worked in Chicote’s for ten years that I knew of.

“No hay derecho,” he said with dignity.

People had laughed, however, and the flit gun man, not noticing how the singing had fallen off, squirted his flit gun at the back of a waiter’s neck. The waiter turned, holding his tray.

“No hay derecho,” he said. This time it was no protest. It was an indictment and I saw three men in uniform start from a table for the flit gun man and the next thing all four of them were going out the revolving door in a rush and you heard a smack when someone hit the flit gun man on the mouth. Somebody else picked up the flit gun and threw it out the door after him.

The three men came back in looking serious, tough and very righteous. Then the door revolved and in came the flit gun man. His hair was down in his eyes, there was blood on his face, his necktie was pulled to one side and his shirt was torn open. He had the flit gun again and as he pushed, wild-eyed and white-faced, into the room he made one general, unaimed, challenging squirt with it, holding it toward the whole company.

I saw one of the three men start for him and I saw this man’s face. There were more men with him now and they forced the flit gun man back between two tables on the left of the room as you go in, the flit gun man struggling wildly now, and when the shot went off I grabbed the forceful girl by the arm and dove for the kitchen door.

The kitchen door was shut and when I put my shoulder against it it did not give.

“Get down here behind the angle of the bar,” I said. She knelt there.

“Flat,” I said and pushed her down. She was furious.

Every man in the room except the German, who lay behind a table, and the public-school-looking boy who stood in a corner drawn up against the wall, had a gun up. On a bench along the wall three over-blonde girls, their hair dark at the roots, were standing on tiptoe to see and screaming steadily.

“I’m not afraid,” the forceful one said. “This is ridiculous.”

“You don’t want to get shot in a café brawl,” I said. “If that flit king has any friends here this can be very bad.”

But he had no friends, evidently, because people began putting their pistols away and somebody lifted down the blonde screamers and everyone who had started over there when the shot came drew back away from the flit man who lay, quietly, on his back on the floor.

“No one is to leave until the police come,” someone shouted from the door.

Two policemen with rifles, who had come in off the street patrol, were standing by the door and at this announcement I saw six men form up just like the line-up of a football team coming out of a huddle and head out through the door. Three of them were the men who had first thrown the flit king out. One of them was the man who shot him. They went right through the policemen with the rifles like good interference taking out an end and a tackle. And as they went out one of the policemen got his rifle across the door and shouted, “No one can leave. Absolutely no one.”

“Why did those men go? Why hold us if anyone’s gone?”

“They were mechanics who had to return to their air field,” someone said.

“But if anyone’s gone it’s silly to hold the others.”

“Everyone must wait for the Seguridad. Things must be done legally and in order.”

“But don’t you see that if any person has gone it is silly to hold the others?”

“No one can leave. Everyone must wait.”

“It’s comic,” I said to the forceful girl.

“No it’s not. It’s simply horrible.”

We were standing up now and she was staring indignantly at where the flit king was lying. His arms were spread wide and he had one leg drawn up.

“I’m going over to help that poor wounded man. Why has no one helped him or done anything for him?”

“I’d leave him alone,” I said. “You want to keep out of this.”

“But it’s simply inhuman. I’ve nurse’s training and I’m going to give him first aid.”

“I wouldn’t,” I said. “Don’t go near him.”

“Why not?” She was very upset and almost hysterical.

“Because he’s dead,” I said.

When the police came they held everybody there for three hours. They commenced by smelling of all the pistols. In this manner they would detect one which had been fired recently. After about forty pistols they seemed to get bored with this and anyway all you could smell was wet leather coats. Then they sat at a table placed directly behind the late flit king, who lay on the floor looking like a grey wax caricature of himself, with grey wax hands and a grey wax face, and examined people’s papers.

With his shirt ripped open you could see the flit king had no undershirt and the soles of his shoes were worn through. He looked very small and pitiful lying there on the floor. You had to step over him to get to the table where two plain clothes policemen sat and examined everyone’s identification papers. The husband lost and found his papers several times with nervousness. He had a safe conduct pass somewhere but he had mislaid it in a pocket and he kept on searching and perspiring until he found it. Then he would put it in a different pocket and have to go searching again. He perspired heavily while doing this and it made his hair very curly and his face red. He now looked as though he should have not only an old school tie but one of those little caps boys in the lower forms wear. You have heard how events age people. Well, this shooting had made him look about ten years younger.

While we were waiting around I told the forceful girl I thought the whole thing was a pretty good story and that I would write it sometime. The way the six had lined up in single file and rushed that door was very impressive. She was shocked and said that I could not write it because it would be prejudicial to the cause of the Spanish Republic. I said that I had been in Spain for a long time and that they used to have a phenomenal number of shootings in the old days around Valencia under the monarchy, and that for hundreds of years before the Republic people had been cutting each other with large knives called Navajas in Andalucia, and that if I saw a comic shooting in Chicote’s during the war I could write about it just as though it had been in New York, Chicago, Key West or Marseilles. It did not have anything to do with politics. She said I shouldn’t. Probably a lot of other people will say I shouldn’t too. The German seemed to think it was a pretty good story, however, and I gave him the last of the Camels. Well, anyway, finally, after about three hours the police said we could go.

They were sort of worried about me at the Florida because in those days, with the shelling, if you started for home on foot and didn’t get there after the bars were closed at seven-thirty, people worried. I was glad to get home and I told the story while we were cooking supper on an electric stove and it had quite a success.

Well, it stopped raining during the night, and the next morning it was a fine, bright, cold early winter day and at twelve forty-five I pushed open the revolving doors at Chicote’s to try a little gin and tonic before lunch. There were very few people there at that hour and two waiters and the manager came over to the table. They were all smiling.

“Did they catch the murderer?” I asked.

“Don’t make jokes so early in the day,” the manager said. “Did you see him shot?”

“Yes,” I told him.

“Me too,” he said. “I was just here when it happened.” He pointed to a corner table. “He placed the pistol right against the man’s chest when he fired.”

“How late did they hold people?”

“Oh, until past two this morning.”

“They only came for the fiambre,” using the Spanish slang word for corpse, the same used on menus for cold meat, “at eleven o’clock this morning.”

“But you don’t know about it yet,” the manager said.

“No. He doesn’t know,” a waiter said.

“It is a very rare thing,” another waiter said. “Muy raro.”

“And sad too,” the manager said. He shook his head.

“Yes. Sad and curious,” the waiter said. “Very sad.”

“Tell me.”

“It is a very rare thing,” the manager said.

“Tell me. Come on, tell me.”

The manager leaned over the table in great confidence.

“In the flit gun, you know,” he said. “He had eau de cologne. Poor fellow.”

“It was not a joke in such bad taste, you see?” the waiter said.

“It was really just gaiety. No one should have taken offense,” the manager said. “Poor fellow.”

“I see,” I said. “He just wanted everyone to have a good time.”

“Yes,” said the manager. “It was really just an unfortunate misunderstanding.”

“And what about the flit gun?”

“The police took it. They have sent it around to his family.”

“I imagine they will be glad to have it,” I said.

“Yes,” said the manager. “Certainly. A flit gun is always useful.”

“Who was he?”

“A cabinet maker.”

“Married?”

“Yes, the wife was here with the police this morning.”

“What did she say?”

“She dropped down by him and said, ‘Pedro, what have they done to thee, Pedro? Who has done this to thee? Oh, Pedro.’ ”

“Then the police had to take her away because she could not control herself,” the waiter said.

“It seems he was feeble of the chest,” the manager said. “He fought in the first days of the movement. They said he fought in the Sierra but he was too weak in the chest to continue.”

“And yesterday afternoon he just went out on the town to cheer things up,” I suggested.

“No,” said the manager. “You see it is very rare. Everything is muy raro. This I learn from the police who are very efficient if given time. They have interrogated comrades from the shop where he worked. This they located from the card of his syndicate which was in his pocket. Yesterday he bought the flit gun and agua de colonia to use for a joke at a wedding. He had announced this intention. He bought them across the street. There was a label on the cologne bottle with the address. The bottle was in the washroom. It was there he filled the flit gun. After buying them he must have come in here when the rain started.”

“I remember when he came in,” a waiter said.

“In the gaiety, with the singing, he became gay too.”

“He was gay all right,” I said. “He was practically floating around.”

The manager kept on with the relentless Spanish logic.

“That is the gaiety of drinking with a weakness of the chest,” he said.

“I don’t like this story very well,” I said.

“Listen,” said the manager. “How rare it is. His gaiety comes in contact with the seriousness of the war like a butterfly — ”

“Oh, very like a butterfly,” I said. “Too much like a butterfly.”

“I am not joking,” said the manager. “You see it? Like a butterfly and a tank.”

This pleased him enormously. He was getting into the real Spanish metaphysics.

“Have a drink on the house,” he said. “You must write a story about this.”

I remembered the flit gun man with his grey wax hands and his grey wax face, his arms spread wide and his legs drawn up and he did look a little like a butterfly; not too much, you know. But he did not look very human either. He reminded me more of a dead sparrow.

“I’ll take gin and Schweppes quinine tonic water,” I said.

“You must write a story about it,” the manager said. “Here. Here’s luck.”

“Luck,” I said. “Look, an English girl last night told me I shouldn’t write about it. That it would be very bad for the cause.”

“What nonsense,” the manager said. “It is very interesting and important, the misunderstood gaiety coming in contact with the deadly seriousness that is here always. To me it is the rarest and most interesting thing which I have seen for some time. You must write it.”

“All right,” I said. “Sure. Has he any children?”

“No,” he said. “I asked the police. But you must write it and you must call it ‘The Butterfly and the Tank.’ ”

“All right,” I said. “Sure. But I don’t like the title much.”

“The title is very elegant,” the manager said. “It is pure literature.”

“All right,” I said. “Sure. That’s what we’ll call it. ‘The Butterfly and the Tank.’ ”

And I sat there on that bright cheerful morning, the place smelling clean and newly aired and swept, with the manager who was an old friend and who was now very pleased with the literature we were making together and I took a sip of the gin and tonic water and looked out the sandbagged window and thought of the wife kneeling there and saying, “Pedro. Pedro, who has done this to thee, Pedro?” And I thought that the police would never be able to tell her that even if they had the name of the man who pulled the trigger.

John William Cheever

1912 –1982

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