Stop all the clocks, cut off the telephone
(Funeral Blues)
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.
1938
TRINCULO'S SONG
Mechanic, merchant, king,
Are warmed by the cold clown
Whose head is in the clouds
And never can get down.
Into a solitude
Undreamed of by their fat
Quick dreams have lifted me;
The north wind steals my hat.
On clear days I can see
Green acres far below,
And the red roof where I
Was Little Trinculo.
There lies that solid world
These hands can never reach;
My history, my love,
Is but a choice of speech.
A terror shakes my tree,
A flock of words fly out,
Whereat a laughter shakes
The busy and devout.
Wild images, come down
Out of your freezing sky,
That I, like shorter men,
May get my joke and die.
From "Under Which Lyre"
In our morale must lie our strength:
So, that we may behold at length
Routed Apollo's
Battalions melt away like fog,
Keep well the Hermetic Decalogue,
Which runs as follows: —
Thou shalt not do as the dean pleases,
Thou shalt not write thy doctor' thesis
On education,
Thou shalt not worship projects nor
Shalt thou or thine bow down before
Administration.
Thou shalt not answer questionnaires
Or quizzes upon World-Affairs,
Nor with compliance
Take any test. Thou shalt not sit
With statisticians nor commit
A social science.
Thou shalt not be on friendly terms
With guys in advertising firms,
Nor speak with such
As read the Bible for its prose,
Nor, above all, make love to those
Who wash too much.
Thou shalt not live within thy means
Nor on plain water and raw greens.
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If thou must choose
Between the chances, choose the odd;
Read The New Yorker, trust in God;
1946
THE QUEST
The Door
Out of it steps the future of the poor,
Enigmas, executioners and rules,
Her Majesty in a bad temper or
The red-nosed Fool who makes a fool of fools.
Great person eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.
We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made
Enormous Alice see a wonderland
That waited for her in sunshine, and,
Simply by being tiny, made her cry.
The Preparations
All had been ordered weeks before the start
From the best firms at such work; instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.
A watch, of course, to watch impatience fly
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun
And colored beads to soothe a savage eye.
In the theory they were sound on Expectation
Had there been situations to be in;
Unluckily they were their situation:
One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.
The Crossroads
The friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
The empty junction glitters in the sun.
So at all quays and crossroads: who can tell,
O places of decision and farewell,
To what dishonor all adventure leads,
What parting gift could give that friend protection,
So orientated, his salvation needs
The Bad Lands and the sinister direction?
All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
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The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for. Yet
Who would complete without extra day
The journey that should take no time at all?
The Pilgrim
No windows in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.
Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.
Could he forget a child's ambition to be old
All institutions where it learned to wash and lie,
He'd tell the truth, for which he thinks himself too young,
That everywhere on the horizon of his sigh
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.
The City
In villages from which their childhood's came
Seeking Necessity, they had been taught
Necessity by nature is the same,
No matter how or by whom it be sought.
The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.
And offered them so many, every one
Found some temptation fit to govern him;
And settled down to master the whole craft
Of being nobody; sat in the sun
During the lunch-hour round the fountain rim;
And watched the country kids arrive, and laughed.
The First Temptation
Ashamed to be the darling of his grief
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;
Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.
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But if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;
And when Truth met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.
The Second Temptation
The library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's silly book,
And clattered panting up the spiral stair.
Swaying upon the parapet he cried:
"O Uncreated Nothing, set me free
Now let Thy perfect be identified,
Unending passion of the Night, with Thee."
And his long suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,
Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.
The Third Temptation
He watched with all his organs of concern
How princes walk, what wives and children say;
Reopened old graves in his heart to learn
What laws the dead had died to disobey.
And came reluctantly to his conclusion:
"All the arm-chair philosophers are false;
To love another adds to the confusion;
The song of pity is the Devil's Waltz."
And bowed to fate and was successful so
That soon he was the king of all the creatures:
Yet, shaking in an autumn nightmare saw,
Approaching down a ruined corridor,
A figure with his own distorted features
That wept, and grew enormous, and cried Woe.
The Tower
This is architecture for the odd;
Thus heaven was attacked by the afraid,
So once, unconsciously, a virgin made
Her maiden head conspicuous to a god.
Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that lets its traitors weep.
Yet many come to wish their tower a well;
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For those who dread to drown of thirst may die,
For those who see all become invisible:
Here great magicians caught in their own spell
Long for a natural climate as they sigh
"Beware of Magic" to the passer-by.
The Presumptuous
They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.
The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.
So in presumption they set forth alone
On what, for them, was not compulsory:
And stuck halfway to settle in some cave
With desert lions to domesticity;
Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.
The Average
His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those smart professions which
Encourage shallow breathing, and grow rich.
The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.
So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood-shot eyes;
The silence roared displeasure: looking down,
He saw the shadow of an Average Man
Attempting the Exceptional, and ran.
Vocation
Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.
The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue
To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise
Though mirrors might be hateful for a while,
Women and books should teach his middle age
The fencing wit of an informal style
To keep the silences at bay and cage
His pacing manias in a worldly smile.
The Useful
The over-logical fell for the witch
Whose argument converted him to stone;
Thieves rapidly absorbed the over-rich;
The over-popular went mad alone,
And kisses brutalized the over-male.
As agents their effectiveness soon ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
To those still able to obey their wish.
By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.
The Way
Fresh addenda are published every day
To the encyclopedia of the Way.
Linguistic notes and scientific explanations
And texts for schools with modernized spelling and illustrations.
Now everyone knows the hero must choose the old horse,
Abstain from liquor and sexual intercourse,
And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,
The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock
Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then
And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?
The Lucky
Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.
"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."
Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"
The Hero
Не parried every question that they hurled:
"What did the Emperor tell you?" "Not to push"
"What is the greatest wonder of the world?"
"The bare man Nothing in the Beggar's Bush."
Some muttered, "He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect."
Soon they slipped back into his Christian name.
The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine.
For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of colored glass.
Adventure
Others had swerved off to the left before,
But only under protest from outside,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.
Now no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.
The crowd clung all the closer to convention
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:
The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.
The Adventurers
Spinning upon their central thirst like tops,
They went the Negative Way toward the Dry;
Be empty caves beneath an empty sky
They emptied out their memories like a slop
Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet
Still praising the Absurd with their last breath.
They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration;
And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.
The Waters
Poet, oracle and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest;
At nightfall tell the angler's lie.
With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.
The waters long to hear our question put
Which would release their longed-for answer, but.
The Garden
Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.
Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.
All journeys die here; wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,
The gaunt and great the famed for conversation
Blushed in the stare of evening as they spoke,
And felt their center of volition shifted.
Good-Bye to the Mezzogiorno
(for Carlo Izzo)
Out of a gothic North, the pallid children
Of a potato, beer-or-whisky
Guilt culture, we behave like our fathers and come
Southward into a sunburnt otherwhere
Of vineyards, baroque, la bella figura,
To these feminine townships where men
Are males, and siblings untrained in a ruthless
Verbal in-fighting as it is taught
In Protestant rectories upon drizzling
Sunday afternoons-no more as unwashed
Barbarians out for gold, nor as profiteers
Hot for Old Masters, but for plunder
Nevertheless-some believing amore
Is better down South and much cheaper
(Which is doubtful), some persuaded exposure
To strong sunlight is lethal to germs
(Which is patently false) and others, like me,
In middle-age hoping to twig from
What we are not what we might be next, a question
The South seems never to raise. Perhaps
A tongue in which Nestor and Apemantus,
Don Ottavio and Don Giovanni make
Equally beautiful sounds is unequipped
To frame it, or perhaps in this heat
It is nonsense: the Myth of an Open Road
Which runs past the orchard gate and beckons
Three brothers in turn to set out over the hills
And far away, is an invention
Of a climate where it is a pleasure to walk
And a landscape less populated
Than this one. Even so, to us it looks very odd
Never to see an only child engrossed
In a game it has made up, a pair of friends
Making fun in a private lingo,
Or a body sauntering by himself who is not
Wanting, even as it perplexes
Our ears when cats are called Cat and dogs either
Lupo, Nero or Bobby. Their dining
Puts us to shame: we can only envy a people
So frugal by nature it costs them
No effort not to guzzle and swill. Yet (if I
Read their faces rightly after ten years)
They are without hope. The Greeks used to call the Sun
He-who-smites-from-afar, and from here, where
Shadows are dagger-edged, the daily ocean blue,
I can see what they meant: his unwinking
Outrageous eye laughs to scorn any notion
Of change or escape, and a silent
Ex-volcano, without a stream or a bird,
Echoes that laugh. This could be a reason
Why they take the silencers off their Vespas,
Turn their radios up to full volume,
And a minim saint can expect rockets-noise
As a counter-magic, a way of saying
Boo to the Three Sisters: "Mortal we may be,
But we are still here!" might cause them to hanker
After proximities-in streets packed solid
With human flesh, their souls feel immune
To all metaphysical threats. We are rather shocked,
But we need shocking: to accept space, to own
That surfaces need not be superficial
Nor gestures vulgar, cannot really
Be taught within earshot of running water
Or in sight of a cloud. As pupils
We are not bad, but hopeless as tutors:
Goethe, Tapping homeric hexameters
On the shoulder-blade of a Roman girl, is
(I wish it were someone else) the figure
Of all our stamp: no doubt he treated her well,
But one would draw the line at calling
The Helena begotten on that occasion,
Queen of his Second Walpurgisnacht,
Her baby: between those who mean by a life a
Bildungsroman and those to whom living
Means to-be-visible-now, there yawns a gulf
Embraces cannot bridge. If we try
To "go southern", we spoil in no time, we grow
Flabby, dingily lecherous, and
Forget to pay bills: that no one has heard of them
Taking the Pledge or turning to Yoga
Is a comforting thought-in that case, for all
The spiritual loot we tuck away,
We do them no harm-and entitles us, I think
To one little scream at A piacere,
Not two. Go I must, but I go grateful (even
To a certain Monte) and invoking
My sacred meridian names, Vito, Verga,
Pirandello, Bernini, Bellini,
To bless this region, its vendages, and those
Who call it home: though one cannot always
Remember exactly why one has been happy,
There is no forgetting that one was.
September 1958
It's No Use Raising a Shout
It's no use raising a shout.
No, Honey, you can cut that right out.
I don't want any more hugs;
Make me some fresh tea, fetch me some rugs.
Here am I, here are you:
But what does it mean? What are we going to do?
A long time ago I told my mother
I was leaving home to find another:
I never answered her letter
But I never found a better.
Here am I, here are you:
But what does it mean? What are we going to do?
It wasn't always like this?
Perhaps it wasn't, but it is.
Put the car away; when life fails,
What the good of going to Wales?
Here am I, here are you:
But what does it mean? What are we going to do?
In my spine there was a base,
And I knew the general's face:
But they've severed all the wires,
And I can't tell what the general desires.
Here am I, here are you:
But what does it mean? What are we going to do?
In my veins there is a wish,
And a memory of fish:
When I lie crying on the floor,
It says, "You've often done this before."
Here am I, here are you:
But what does it mean? What are we going to do?
A bird used to visit this shore:
It isn't going to come any more.
I've come a very long way to prove
No land, no water, and no love.
Here am I, here are you.
But what does it mean? What are we going to do?
"Carry Her Over The Water"
Carry her over the water,
And set her down under the tree,
Where the culvers white all day and all night,
And the winds from every quarter,
Sing agreeably, agreeably, agreeably of love.
Put a gold ring on her finger,
And press her close to your heart,
While the fish in the lake snapshots take,
And the frog, that sanguine singer,
Sing agreeably, agreeably, agreeably of love.
The streets shal flock to your marriage,
The houses turn round to look,
The tables and chairs say suitable prayers,
And the horses drawing your carriage
Sing agreeably, agreeably, agreeably of love.
1939?
THE TRAVELLER
No window in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply: that mill, though is not there
Which went on grinding at the back of love all day.
Nor all his weeping ways through weary wastes have found
The Castle where his Greater Hallows are interned:
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.
Could he forget a child's ambition to be old
And institutions where he learned to wash and lie'
He'd tell the truth for which he thinks himself too young,
That everywhere on the horizon of his sigh
Is now, as always, only waiting to be told
To be his father's house and speak his mother's tongue.
"Out of it steps the future of the poor,"
Out of it steps the future of the poor,
Enigmas, executioners and rules,
Her Majesty in a bad temper or
The red-nosed Fool who makes a fool of fools.
Great persons eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.
We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made
Enormous Alice see a wonderland
That waited for her in the sunshine, and,
Simply by being tiny made her cry.
Lullaby
Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephermeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.
Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's sensual ecstasy.
Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreadful cards foretell,
Shall be paid, but not from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of sweetness show
Eye and knocking heart may bless.
Find the mortal world enough;
Noons of dryness see you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
O What Is That Sound
O what is that sound which so thrills the ear
Down inthe valley drumming, drumming?
Only the scarlet soldiers, dear,
The soldiers coming.
O what is that light I see flashing so clear
Over the distance brightly, brightly?
Only the sun on their weapons, dear,
As they step lightly.
O what are they doing with all that gear
What are they doing this morning, this morning?
Only the usual manoeuvres, dear,
Or perhaps a warning.
O why have they left the road down there
Why are they suddenly wheeling, wheeling?
Perhaps a change in the orders, dear,
Why are you kneeling?
O haven't they stopped for the doctor's care
Haven't they reined their horses, their horses?
Why, they are none of them wounded, dear,
None of these forces.
O is it the parson they want with white hair;
Is it the parson, is it, is it?
No, they are passing his gateway, dear,
Without a visit.
O it must be the farmer who lives so near
It must be the farmer so cunning, so cunning?
They have passed the farm already, dear,
And now they are running.
O where are you going? stay with me here!
Were the vows you swore me deceiving, deceiving?
No, I promised to love you, dear,
But I must be leaving.
O it's broken the lock and splintered the door,
O it's the gate where they're turning, turning
Their feet are heavy on the floor
And their eyes are burning.
The Fall of Rome W. H. Auden
(for Cyril Connolly)
The piers are pummelled by the waves;
In a lonely field the rain
Lashes an abandoned train;
Outlaws fill the mountain caves.
Fantastic grow the evening gowns;
Agents of the Fisc pursue
Absconding tax-defaulters through
The sewers of provincial towns.
Private rites of magic send
The temple prostitutes to sleep;
All the literati keep
An imaginary friend.
Cerebrotonic Cato may
Extol the Ancient Disciplines,
But the muscle-bound Marines
Mutiny for food and pay.
Caesar's double-bed is warm
As an unimportant clerk
Writes I DO NOT LIKE MY WORK
On a pink official form.
Unendowed with wealth or pity,
Little birds with scarlet legs,
Sitting on their speckled eggs,
Eye each flu-infected city.
Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.
TWO SONGS FOR HEDLI ANDERSON
I
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put cr?pe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.
II
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; 'O Johnny, let's play':
But he frowned like thunder and he went away.
O that Friday near Christmas as I well recall
When we went to the Charity Matinee Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
'Squeeze me tighter, dear Johnny, let's dance till it's day':
But he frowned like thunder and he went away.
Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver and golden silk gown;
'O John I'm in heaven,' I whispered to say:
But he frowned like thunder and he went away.
O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
'O marry me, Johnny, I'll love and obey':
But he frowned like thunder and he went away.
O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.
Give me a doctor
Give me a doctor partridge-plump,
Short in the leg and broad in the rump,
An endomorph with gentle hands
Who'll never make absurd demands
That I abandon all my vices
Nor pull a long face in a crisis,
But with a twinkle in his eye
Will tell me that I have to die.
1951
О тиранах
Small tyrants, threatened by big,
Sincerely believe
They love Liberty.
* * *
Tyrants may get slain,
But their hangmen usually
Die in their beds.
* * *
The tyrant's device:
Whatever is Possible
Is Necessary.
* * *
When Chiefs of State
Prefer to work at night,
Let the citizen beware.
Iceland revisited
(for Basil and Susan Boothby)
Encounter July 1964
* * *
Unwashed, unshat,
He was whisked from the plane
To a lunch in his honour.
* * *
He hears a 1oud-speaker
Call him wen known,
But knows himself no better.
* * *
The desolate fjord
Denied the possibility
Of many gods.
* * *
Twenty-eight years ago
Three slept well here.
Now one is married, one dead,
Where the harmonium stood
A radio:
Have the Fittest survived?
* * *
Unable to speak Icelandic,
He helped instead
To do the dishes.
* * *
The bondi's sheep-dog
and the visitor from New York
Conversed freely.
* * *
Snow had camouflaged
The pool of liquid manure:
The town-mouse fell in.
* * *
A blizzard. A bare room.
Thoughts of the past.
He forgot to wind his watch.
* * *
The gale howled over lava. Suddenly,
In the storm's eye,
A dark speck,
Perseus in an air-taxi,
Come to snatch
Shivering Andromeda
Out of the wilderness
And bring her back
To hot baths, cocktails, habits.
* * *
Once more
A child's dream verified
The magical light beyond Hekla.
* * *
Fortunate island,
Where all men are equal
But not vulgar-not yet.
THE PRESUMPTUOUS
They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.
The hero was a daring as they thought him,
But these peculiar boyhood missed them all;
The angel with the broken leg had taught him
The right precautions to avoid a fall.
So in presumption they set forth alone
On what, for them, was not compulsory:
And stuck hallway to settle in some cave
With desert lions in domesticity
Or turned aside to be absurdly brave
And met the ogre and were turned on stone.
Короткие стихи 1929-1931
1
Pick a quarrel, go to war,
Leave the hero in the bar;
Hunt the lion, climb the peak:
No one guesses you are weak.
2
The friends of the born nurse
Are always getting worse.
3
When he is well
She gives him hell;
But she's a brick
When he is sick.
4
You’re a long way off becoming a saint
So long as you suffer from any complaint;
But, if you don’t, there’s no denying
The chances are that you’re not trying.
5
I am afraid there is many a spectacled sod
Prefers the British Museum to God.
6
I'm beginning to lose patience
With my personal relations:
They are not deep,
And they are not cheap.
7
Those who will not reason
Perish in the act;
Those who will not act
Perish for that reason.
8
Let us honor if we can
The vertical man,
Though we value none
But the horizontal one.
9
'These had stopped seeking
But went on speaking,
Have not contributed
But have diluted.
These ordered light
But had no right,
These handed on
War and a son.
Wishing no harm
But to be warm,
These fell asleep.
On the burning heap.
10
Private faces
In public places
Are wiser and nicer
Than public faces
In private places.
* * *
I'm beginning to lose patience
With my personal relations:
They are not deep,
And they are not cheap.
* * *
Thoughts of his own death,
like the distant roll
of thunder at a picnic.
* * *
Bound to ourselves for life,
we must learn how to
put up with each other.
* * *
Fate succumbs
many species: one alone
jeopardises itself.
* * *
The palm extended in welcome:
Look! for you
I have unclenched my fist.
* * *
Animal femurs,
ascribed to saints who never
existed, are still
more holy than portraits
of conquerors who,
unfortunately, did.
* * *
Pulling on his socks,
he recall that his gran-pa
went pop in the act.
* * *
Man must either fall in love
with Someone or Something,
or else fall ill.
* * *
Nothing can be loved too much,
but all things can be loved
in the wrong way.
* * *
I'm for freedom because I mistrust the Censor in office,
But if I held the job, my! how severe I should be!
* * *
When he is well
She gives him hell;
But she's a brick
When he is sick.
They wondered why the fruit had been forbidden…
They wondered why the fruit had been forbidden:
It taught them nothing new. They hid their pride,
But did not listen much when they were chidden:
They knew exactly what to do outside.
They left. Immediately the memory faded
Of all they known: they could not understand
The dogs now who before had always aided;
The stream was dumb with whom they'd always planned.
They wept and quarrelled: freedom was so wild.
In front maturity as he ascended
Retired like a horizon from the child,
The dangers and the punishments grew greater,
And the way back by angels was defended
Against the poet and the legislator.
At last the secret is out…
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell to the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my dear, there's never smoke without fire.
Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of migraine and the sigh
There is always another story, there is more than meets the eye.
For the clear voice suddenly singing, high up on the cement wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.
The Chimney Sweepers
The chimney sweepers
Wash their faces and forget to wash the neck;
The lighthouse keepers
Let the lamps go out and leave the ships to wreck;
The prosperous baker
Leaves the rolls in hundreds in the oven to burn;
The undertaker
Puts a small note on the coffin saying: "Wait till I return,
I've got a date with Love!"
And deep-sea divers
Cut their boots off and come bubbling to the top;
And engine drivers
Bring expresses in the tunnel to a stop;
The village rector
Dashes down the side-aisle half-way through a psalm;
The sanitary inspector
Runs off with the cover of the cesspool on his arm —
To keep his date with Love!
"What's in Your Mind, My Dove, My Coney…"
What's in your mind, my dove, my coney;
Do thoughts grow like feathers, the dead end of life;
Is it making of love or counting of money,
Or raid on the jewels, the plans of a thief?
Open your eyes, my dearest dallier;
Let hunt with your hands for escaping me;
Go through the motions of exploring the familiar
Stand on the brink of the warm white day.
Rise with the wind, my great big serpent;
Silence the birds and darken the air;
Change me with terror, alive in a moment;
Strike for the heart and have me there.
Happy Ending
The silly fool, the silly fool
Was sillier in school
But beat the bully as a rule
The youngest son, the youngest son
Was certainly no wise one
Yet could surprise one.
Or rather, or rather,
To be posh, we gather
One should have no father.
Simple to prove
That deeds indeed
In life succeed,
But love in love,
And tales in tales
Where no one fails.
Foxtrot from a Play
The soldier loves his rifle,
The scholar loves his books,
The farmer loves his horses,
The film star loves her looks.
There's love the whole world over
Wherever you may be;
Some lose their rest for gay Mae West,
But you're my cup of tea.
Some talk of Alexander
And some of Fred Astaire,
Some like their heroes hairy
Some like them debonair,
Some prefer a curate
And some an A.D.C.,
Some like a tough to treat'em rough,
But you're my cup of tea.
Some are mad on Airedales
And some on Pekinese,
On tabby cats or parrots
Or guinea pigs or geese.
There are patients in asylums
Who think that they're a tree;
I had an ant who loved a plant,
But you're my cup of tea.
Some have sagging waistlines
And some a bulbous nose
And some a floating kidney
And some have hammer toes,
Some have tennis elbow
And some have housemaid's knee,
And some I know have got B.O.,
But you're my cup of tea.
The blackbird loves the earthworm,
The adder loves the sun,
The polar bear an iceberg,
The elephant a bun,
The trout enjoys the river,
The whale enjoys the sea,
And dogs love most an old lamp-post,
But you're my cup of tea.
Musee des Beaux Arts
About suffering they were never wrong,
The Old Masters: how well they understood
Its human position; how it takes place
While someone else is eatting or opening a window
or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On the pond at the edge of the wood:
They never forgot
That even the dreadful martydrom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind in a tree.
In Brueghel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Somewhere to get to and sailed calmly on.
Who is Who?
A shilling life will give you all the facts:
How Father beat him, how he ran away,
What were the struggles of his youth, what acts
Made him the greatest figure of his day
Of how he fought, fished, hunted, worked all night,
Though giddy, climbed new mountains; named a sea:
Some of the last researchers even write
Love made him weep his pints like you and me.
With all his honours on, he sighed for one,
Who, say astonished critics, lived at home;
Did little jobs about the house with skill
And nothing else; could whistle; would sit still
Or potter round the garden; answered some
Of his long marvelous letters but kept none
The Ship
All streets are brightly lit; our city is kept clean;
Her Third-Class deal from greasy packs, her First bid high;
Her beggars banished to the bows have never seen
What can be done in state-rooms: no one asks why.
Lovers are writing latters, athletes playing ball,
One doubts the virtue, one the beauty of his wife,
A boy's ambitious: perhaps the Captain hates us all;
Someone perhaps is leading a civilised life.
Slowly our Western culture in full pomp progresses
Over the barren plains of the sea; somewhere ahead
A septic East, odd fowl and flowers, odder dresses:
Somewhere a strange and shrewd To-morrow goes to bed,
Planning a test for men from Europe; no one guesses
Who will be most ashamed, who richer, and who dead.
"O, Tell Me The Truth About Love"
Some say that love 's a little boy,
And some say it's a bird,
Some say it makes the world go round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.
Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.
Our history books refer to it
In cryptic little notes.
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Account of suicides,
And even seen it scribbled on
The back of railway-guides.
Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is it's singing at parties a riot?
Does it only like classical stuff?
Will it stop when one wants to be quiet?
O tell me the truth about love.
I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn't in the chicken-run,
Or underneath the bed.
Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories vulgar but funny?
O tell me the truth about love.
When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on my door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.
Their Lonely Betters
As I listened from a beach-chair in the shade
To all the noises that my garden made,
It seemed to me only proper that words
Should be withheld from vegetables and birds.
A robin with no Christian name ran through
The Robin-Anthem which was all it knew,
And rustling flowers for some third party waited
To say which pairs, if any, should get mated.
Not one of them was capable of lying,
There was not one which knew that it was dying
Or could have with a rhythm or a rhyme
Assumed responsibility for time.
Let them leave language to their lonely betters
Who count some days and long for certain letters;
We, too, make noises when we laugh or weep:
Words are for those with promises to keep.
Shorts
Pick a quarrel, go to war,
Leave the hero in the bar;
Hunt the lion, climb the peak:
No one guesses you are weak.
The friends of the born nurse
Are always getting worse.
I'm beginning to lose patience
With my personal relations:
They are not deep,
And they are not cheap.
I'm for freedom because I mistrust the Censor in office,
But if I held the job, my! how severe I should be!
When he is well
She gives him hell;
But she's a brick
When he is sick.
Those who will not reason
Perish in the act;
Those who will not act
Perish for that reason.
Let us honor if we can
The vertical man,
Though we value none
But the horizontal one.
Private faces
In public places
Are wiser and nicer
Than public faces
In private places.
The conversation of birds
Say very little,
But mean a great deal.
Among the mammals
Only Man has ears
That can display no emotion.
In moments of joy
All of us wish we possessed
A tail we could wag.
The shame in ageing
is not that Desire should fail
(Who mourns for something
he no longer needs?): it is
That someone else must be told.
The tyrant's device:
Whatever is Posiible
Is Necessary.
Passing Beauty
still delights him,
but he no longer
has to turn round.
Does God ever judge us
by appearances?
I suspect that He does.
Today two poems begged to be written: I had to refuse them.
Sorry, no longer, my dear! Sorry, my precious, not yet!
Only look in the mirror to detect a removable blamish,
As of the permanent ones already you know quite enough.
God never makes knots,
But is expert, if asked to,
At untying them.
A poet's hope: to be,
Like some valley cheese,
Local, but prized elsewhere.
WORDS
A sentence uttered makes a world appear
Where all things happen as it says they do;
We doubt the speaker, not the tongue we hear:
Words have no word for words that are not true.
Syntactically, though, it must be clear;
One cannot change the subject half-way through,
Nor alter tenses to appease the ear:
Arcadian tales are hard-luck stories too.
But should we want to gossip all the time,
Were fact not fiction for us at its best,
Or find a charm in syllables that rhyme,
Were not our fate by verbal chance expressed,
As rustics in a ring-dance pantomime
The Knight at some lone cross-roads of his quest?
Uncle Henry
When the Flyin’ Scot [260]
fills for shootin’, I go southward,
wisin’ after coffee, leavin’
Lady Starkie.
Weady for some fun,
visit yearly Wome, Damascus,
in Mowocco look for fwesh a —
— musin’ places.
Where I’ll find a fwend,
don’t you know, a charmin’ creature,
like a Gweek God and devoted:
how delicious!
All they have they bwing,
Abdul, Nino, Manfwed, Kosta:
here’s to women for they bear such
lovely kiddies!
Adolescence
"He maketh me to lie down in green pastures; He leadeth me beside the still waters."
(King James Bible, Psalms 23:2) [261]
By landscape reminded once of his mother's figure
The mountain heights he remembers get bigger and bigger
With the finest of mapping pens he fondly traces
All the family names on the familiar places.
In a green pasture straying, he walks by still waters;
Surely a swan he seems to earth's unwise daughters,
Bending a beautiful head, worshipping not lying,
'Dear' the dear beak in the dear concha crying.
Under the trees the summer bands were playing;
'Dear boy, be brave as these roots', he heard them saying:
Carries the good news gladly to a world in danger,
Is ready to argue, he smiles, with any stranger.
And yet this prophet, homing the day is ended,
Receives odd welcome from the country he so defended:
The band roars 'Coward, Coward', in his human fever,
The giantess shuffles near, cries 'Deceiver'.
Are You There?
Each lover has some theory of his own
About the difference between the ache
Of being with his love, and being alone:
Why what, when dreaming, is dear flesh and bone
That really stirs the senses, when awake,
Appears a simulacrum of his own.
Narcissus disbelieves in the unknown;
He cannot join his image in the lake
So long as he assumes he is alone.
The child, the waterfall, the fire, the stone,
Are always up to mischief, though, and take
The universe for granted as their own.
The elderly, like Proust, are always prone
To think of love as a subjective fake;
The more they love, the more they feel alone.
Whatever view we hold, it must be shown
Why every lover has a wish to make
Some kind of otherness his own:
Perhaps, in fact, we never are alone.
Blues (For Hedli Anderson)
Ladies and gentlemen, sitting here,
Eating and drinking and warming a chair,
Feeling and thinking and drawing your breath,
Who’s sitting next to you? It may be Death.
As a high-stepping blondie with eyes of blue
In the subway, on beaches, Death looks at you;
And married or single or young or old,
You’ll become a sugar daddy and do as you’re told.
Death is a G-man. You may think yourself smart,
But he’ll send you to the hot-seat or plug you through the heart;
He may be a slow worker, but in the end
He’ll get you for the crime of being born, my friend.
Death as a doctor has first-class degrees;
The world is on his panel; he charges no fees;
He listens to your chest, says — "You’re breathing. That’s bad.
But don’t worry; we’ll soon see to that, my lad."
Death knocks at your door selling real estate,
The value of which will not depreciate;
It’s easy, it’s convenient, it’s old world. You’ll sign,
Whatever your income, on the dotted line.
Death as a teacher is simply grand;
The dumbest pupil can understand.
He has only one subject and that is the Tomb;
But no one ever yawns or asks to leave the room.
So whether you’re standing broke in the rain,
Or playing poker or drinking champagne,
Death’s looking for you, he’s already on the way,
So look out for him tomorrow or perhaps today.
Detective Story
For who is ever quite without his landscape,
The straggling village street, the house in trees,
All near the church, or else the gloomy town house,
The one with the Corinthian pillars, or
The tiny workmanlike flat: in any case
A home, the centre where the three or four things
That happen to a man do happen? Yes,
Who cannot draw the map of his life, shade in
The little station where he meets his loves
And says good-bye continually, and mark the spot
Where the body of his happiness was first discovered?
An unknown tramp? A rich man? An enigma always
And with a buried past but when the truth,
The truth about our happiness comes out
How much it owed to blackmail and philandering.
The rest's traditional. All goes to plan:
The feud between the local common sense
And that exasperating brilliant intuition
That's always on the spot by chance before us;
All goes to plan, both lying and confession,
Down to the thrilling final chase, the kill.
Yet on the last page just a lingering doubt:
That verdict, was it just? The judge's nerves,
That clue, that protestation from the gallows,
And our own smile… why yes…
But time is always killed. Someone must pay for
Our loss of happiness, our happiness itself.
(1936)
A New Age
So an age ended, and its last deliverer died
In bed, grown idle and unhappy; they were safe:
The sudden shadow of a giant's enormous calf
Would fall no more at dusk across their lawns outside.
They slept in peace: in marshes here and there no doubt
A sterile dragon lingered to a natural death,
But in a year the slot had vanished from the heath;
A kobold's knocking in the mountain petered out.
Only the sculptors and the poets were half-sad,
And the pert retinue from the magician's house
Grumbled and went elsewhere. The vanquished powers were glad
To be invisible and free; without remorse
Struck down the silly sons who strayed into their course,
And ravished the daughters, and drove the fathers mad.
[262]
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