The Early 20th century English Literature 9 страница
Questions and Tasks
1. Relate the story of James Fenimore Cooper's life.
2. When did Cooper start writing?
3. What book was an immediate success in England and America?
4. How many books did Cooper write?
5. What genres do they belong to?
6. Name the five novels Cooper's fame rests on.
7. Describe the hero of the novels Natty Bumppo.
8. Why do Cooper's novels keep the reader in suspense?
9. Comment on Cooper's contribution to American literature.
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10. What does his main merit lie in?
Edgar Рое (1809-1849)
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Edgar Allan Рое fedga 'эе1эп 'рэи], outstanding romantic poet and short-story writer, was one of the first professional writers of the United States. But in his lifetime he was more popular in Europe than at home.
Edgar Рое was born in Boston in 1809. The son of actor parents, he was left an orphan at the age of three. And though he was taken under protection of a prosperous tobacco merchant John Allan, his childhood was miserable. Mr Allan's business took him abroad, and from 1815 to 1820 Рое lived with the family in Scotland and England. He attended a fine classical preparatory school. There he wrote Latin verses and learned boxing. Back in the United States, he was sent to the University of Virginia. These studies he combined with writing poetry, and all the while he read and read^and read. Yet Рое was unhappy at the university. His sensitive pride was wounded by the social barrier between him and the rich Southern boys. At the end of the first year Mr Allan decided to remove him from the university. The tobacco merchant had never understood the boy's vocation for art. He made him a clerk in his business. Рое immediately ran away and went to Boston. In Boston he published his first volume of poetry Tamerlane and Other Poems (1827). Not a single copy was sold. Then he published in Baltimore his second volume of poems Al Aaraaf, Tamerlane and Minor Poems (1829). His poems again passed unnoticed. In 1831 Рое published his third edition of poems, this time in New York. However, Рое first became famous not as a poet, but as a writer of fiction, with a story he wrote for a magazine. It was the story MS1 Found in a Bottle, It was printed in the Baltimore
1 MS — сокр . от manuscript 282
Saturday Visitor and won him a prize of 50 dollars. In 1835 he got a position on the Southern Literary Messenger. He published his old and new tales and poems in this magazine. He wrote many book reviews which won popularity for the magazine. After Рое had married a very young girl Virginia Clemm, the daughter of his father's sister, Maria, he spent the rest of his life in Philadelphia and New York. Soon his young wife became very ill with tuberculosis. In 1847 his wife died, and in October 1849 Edgar Allan Poe's life ended. During his lifetime only a few of his stories and poems won fame.
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Edgar Рое distinguished himself in three fields: in the short story, poetry and criticism. He wrote about 60 stories and 48 poems. The writer is a great master of the short story. His prose is direct, energetic, clear and aimed to focus the reader's attention on one particular idea. His aim in every work, he said, was to make a strong impression on the reader. Poe's stories may be divided into: 1) horror stories and 2) detective stories.
The most distinguished horror stories are: The Fall of the House of Usher, The Black Cat, The Descent into Maelstrom. The horror stories concentrate on various forms of suffering. They represent a psychological study of anxiety and terror, of passion, anger, revenge and other emotions suffered by men who think they are destined for some strange fate. All Poe's best stories show some triumph of mind over the danger to which the hero seems doomed.
The detective stories are mathematical at their foundation. Having invented a combination of events and circumstances the author logically follows step by step their development and the consequence comes with the precision of the solution of a mathematical problem.
Рое is the father of the detective story in America. He created the first of a long line of fictional master detectives Auguste Dupin [o:'gAst dju:pe]. Dupin is a very attractive character in Allan Poe's stories. The reader delights in his common sense, wit and optimism. The author endows him with extraordinary powers of deduction and analysis. Dupin is the forerunner of Conan Doyle's Sherlock Holmes.
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| focus ['faukss] v сосредоточивать forerunner |Тэ:'глпэ] п предшественник harmony ['гт:тэш] п соответствие precision [pn'si3sn] n точность psychological [,saika'lt)d3ik3l] а психологический sensitive ['sensitrv] а уязвимый solution [ss'lujan] n решение vocation [vsu'keijan] n склонность
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Poe's best known detective stories are: The Murder in Rue Morgue and The Mystery of Marie Roget.
Рое is a poet of beauty. His constant themes are the death of a beautiful woman and the grief caused by it.
Poe's best poems are: The Raven, The Bells, Annabel Lee, and some of the lyrics and sonnets.
The European poets appreciated the harmony between idea and form achieved by Edgar Allan Рое. The Russian composer Rakhmaninov was so impressed by The Bells that he set it to music; and the poet Valery Bryusov translated many of his poems and called Рое the greatest poet of the United States.
Vocabulary
anxiety [aen'zaisti] n тревога barrier ['Ьэепэ] п барьер combine [кэт'Ьат] v сочетать consequence [ 'ktmsikwans] n результат deduction [di'dvkfan] n дедукция destine ['destm] v предопределять doom [du:m] v обрекать endow [m'dau] v наделять „
Questions and Tasks
1. Give a brief account of Poe's lif
2. When was the beginning of his literary career?
3. Did he write some more poems?
4. Did Рое become famous as a poet or as a writer of fiction?
5. What story won him a prize?
6. What fields of literature did Рое distinguish himself?
7. Characterize Poe's stories.
8. Comment on his horror stories and detective ones.
9. Name Poe's most distinguished horror and detective stories.
10. Who is a very attractive character in Allan Poe's stories?
11. What are the themes of Poe's poems?
12. What are his best poems?
13. What did the European poets appreciate in his poems?
14. Who were the prominent men in Russia who were impressed by Poe's work?
Henry Longfellow (1807-1882)
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Henry Wadsworth Longfellow [ 'henn 'w3:d2W3:8 'lnnfelau] was bom in the little town of Portland, in the State of Maine on the Atlantic coast in the family of a well-to-do lawyer.
The family kept alive the memory of the War of Independence, and as a boy Longfellow was told about the heroic deeds of his grandfather who had been a general in Washington's army, and about his uncle Henry who had been an officer in the US Navy and had been killed in 1804 while defending his coun- enry a swor 'm9 e m try. The family traditions of heroism played a great role in the life of young Longfellow.
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Prepared mostly at private schools, he attended Bowdoin fbtwdn] College from 1821 to 1825, and there he wrote his first verses and stories and showed great aptitude for foreign languages. Having published his first poem at thirteen he dreamed of a literary career. On his graduation, he was made professor of Modern Languages at Bowdoin. He spent three years in France, Spain, Italy and Germany, studying European languages and literature.
In 1829 Longfellow returned home and began teaching foreign languages, first at Bowdoin College and then, in 1834, as a professor of Harvard University.
In 1835 Longfellow published his first book Outre-Mer1 [.ulrei'mer]: A Pilgrimage Beyond the Sea, a series of travel-sketches modelled on Washington living's Sketch Book. In 1835 he made a second trip to Europe, visiting Germany, Sweden, Denmark and Holland, where he studied German and Northern literatures to qualify himself for his appointment at Harvard. In 1839 he published his novel Hyperion
Outre-Mer — фр . «За морем»
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[hai'pianan] and a collection of poems Voices of the Night. In 1841 anew book of poems Ballads and Other Poems saw print. By that time he was well known as an American poet, and his fame steadily spread.
After his third trip to Europe Longfellow published his masterpiece, a collection of verses Poems on Slavery (1842). Slavery had become the most urgent question of the day. In these verses Longfellow condemned the shameful institution of slavery. In his political lyrics he gives the sad and shameful picture of slavery in the South of America.
In the poem The Slave's Dream a black slave, on a hot summer noon on a Southern plantation, weary from his heavy work, falls asleep in the sun, his hand grasping the reaping hook. He dreams he is back in his native Africa. He sees his wife and children. Suddenly this vision is rudely and cruelly interrupted by two severe blow of a long whip. The raging overseer whips the slave to death.
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In another poem, The Negro in the Dismal Swamp, the author describes a typically American scene of those days — the hunting down of a slave.
In the dark fens of the Dismal Swamp The hunted Negro1 lay; He saw the fire of the midnight camp, And heard at times a horse's tramp And a bloodhound's distant bay.
Where hardly a human foot could pass,
Or a human heart would dare,
On the quaking turf of a green morass
He crouched in the rank and tangled grass,
Like a wild beast in his lair.
A poor old slave, infirm and lame;
Great scars deformed his face;
On his forehead he bore the brand of shame2,
And the rags, that hid his mangled frame,
Were the livery of disgrace.
1 The hunted Negro — загнанный негр
2 the brand of shame — клеймо позора (на лицах негров иногда выжигали
букву или какой-либо знак, чтобы легче было их опознать в случае побега)
All things above were bright and fair, All things were glad and free; Lithe squirrels darted here and there, And wild birds filled the echoing air With songs of Liberty!
On him alone was the doom of pain1, From the morning of his birth; On him alone the curse of Cain2 ' Fell, like a frail on the garnered grain, And struck him to the earth!3
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The Poems on Slavery were published eighteen years before the Civil War broke in 1861. Longfellow foretold the coming of a war that would free the Negro slaves at a time when nobody believed it could be possible.
Another poem which was finished in 1847 was Evangeline [i 'vaend3ili:n]. It was the story of how the Acadian [э 'keidian] farmers4 were driven away from their village. It was the most beautiful poem Longfellow had written so far.
Longfellow's philosophical lyrics were a great success in the fifties and sixties during the Civil War. Especially popular was his poem The Building of the Ship. The people in Longfellow's poem are represented by a tireless master worker who spares no effort to build a beautiful ship — a democratic state, a republic, where the freedom and equality of the citizens is the supreme law. In this poem Longfellow clearly expresses his social ideals.
In his mature years Longfellow created beautiful lyrics about nature. American nature came to life under Longfellow's pen.
1 On him alone was the doom of pain — Он один был обречен на страдание
2 the curse of Cain — проклятие Каина (согласно библейской легенде, Каин
был первым убийцей среди людей и своим преступлением навлек вечное
проклятие на все человечество)
3 struck him to the earth — сразило его, повергло его на землю
4 the Acadian farmers — фермеры из Акейдии (Новая Шотландия, провин
ция Канады)
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| Не compiled and translated a vast anthology called Poets of Europe. This colossal work of translating poets of different times and different peoples was finished by the end of the seventies when the last of the 31 volumes saw print. Up to the present day this anthology remains one of the best of this kind. Besides this collection of European, lyrical poetry Longfellow translated in 1865-1867 Dante's Divine Comedy. By the end of his life Longfellow had won recognition all over the world. Many universities awarded him with honorary degrees, so did the Russian Academy of Sciences of which he became a member. He was also elected to membership by the Spanish, British and French Academies of Sciences. Even when already an old man, Henry Longfellow continued writing. Longfellow died at the age of 75. He is the only American poet whose bust is in Westminster Abbey's Poets' Corner. |
Before him the descriptions of nature by poets, though very beautiful, were abstract. He was especially skilful in depicting the seasons of the year.
Rain in Summer
How beautiful is the rain! After the dust and heat, In the broad and fiery street1, In the narrow lane, How beautiful is the rain!
How it clatters along the roofs,
Like the tramp of hoofs!
How it gushes and struggles out
From the throat of the overflowing spout.
Across the window pane
It pours and pours;
And swift and wide,
With a muddy tide2,
Like a river down the gutter roars
The rain, the welcome rain3.
Henry Wadsworth Longfellow was a great friend of the Indians. Even as a student he began to collect Indian folklore. But it was some 30 years after he had graduated from the university that he was able to finally complete his epic poem The Song of Hiawatha [' паю' WD9a] — the only epic poem in American literature in which the manner of life and the beliefs of the Indian people are described. The Song of Hiawatha appeared in 1855. It made the name of Longfellow famous all over the world.
Henry Longfellow knew twelve foreign languages, as well as ancient Greek, Latin, Gothic, Hebrew, old French and old German.
1 fiery street — пылающая, то есть накаленная солнцем улица
2 a muddy tide — грязный поток
3 the welcome rain — желанный дождь
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Vocabulary
anthology [aen'Grjbcfoi] n антология appointment [a'pointmgnt] л назначение aptitude ['a?ptitju:d] л способность bay [bei] л лай
bloodhound ['bUdhaund] л ищейка brace [breis] л скоба bust [bASt] л бюст clatter ['klaets] v стучать condemn [ksn'dem] v осуждать crouch [krautj] v припасть к земле dart [da:t] v стремительно проноситься exulting [ig'zAltin] а ликующий garner ['да:пэ] v ссыпать зерно в амбар grasp [gra:sp] v сжимать gush [ддЛ улиться
Hebrew ['hi:bru:] а древнееврейский hoof [hu:f] л копыто hook [huk] л серп keelson ['kelsn] л мор . кильсон loir [1еэ] л логовище livery [Чгуэп] л наряд
mangle ['maerjgl] v калечить
model ['modal] v создавать по образцу
morass [nw'raes] n трясина
overseer ['auvssia] n надзиратель
print [print] n издание
quake [kweik] утрястись
rage [reidj] v быть в гневе
reap [ri:p] v жать
rudder ['ш!э] л руль
shroud [fraud] v скрываться
spout [spaut] л водосточная труба
spur [sp3:] л подпорка
steadily ['stedili] adv постоянно
stemson ['stemssn] л мор . стемсон
supreme [sju:'pri:m] а высший
tangled ['taerjgld] а спутанный
tramp [traemp] л топот
turf [t3:f] л торф
urgent Гз:дэпГ] о насущный
vision ['угзэп] п видение
weary ['wign] а усталый
whip [wip] усечь
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The Song of Hiawatha
America had no ancient folk-songs similar to the great epic of other nations. Longfellow made a study of European poetry and chose the Finnish epic poem Kalevala as his model for the epic poem he was to write. The second source of his poem was Indian folklore. Already at college he had read much about the Indian nation, their history, manners and customs, on the basis of which he wrote his epic poem The Song of Hiawatha.
The poem relates of the Indian warrior hero, Hiawatha, partly a legendary, partly a historic personality. According to a North American Indian legend, the hero was sent by the Great Spirit Manito to unite the various Indian tribes.
Hiawatha was born of the daughter of a Star Wenonah {, we' пэипэ] and the West Wind, Mudjekeewis [^тлёзэ'кшв]. After his mother's death, the boy grows up in the wigwam of Nakomis [na'kaurms], his grandmother, the daughter of the Moon. The young Hiawatha learns all the arts and the skills of the Indians and comes to know all the secrets of nature. He learns the language of the birds and animals and calls them "Hiawatha's brothers". He grows into the youth of unusual strength, swiftness and cleverness.
Then the little Hiawatha Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them "Hiawatha's Chickens", Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he met them, Called them "Hiawatha's Brothers".
Out of childhood into manhood
Now had grown my Hiawatha,
Skilled in all the craft of hunters,
Learned in all the lore1 of old men,
In all youthful sports and pastimes,
In all manly arts and labors.
Swift of foot was Hiawatha;
He could shoot an arrow from him,
And run forward with such fleetness2,
That the arrow fell behind him!
Strong of arm was Hiawatha;
He could shoot ten arrows upward,
Shoot them with such strength and swiftness,
That the tenth had left the bow-string
Ere3 the first to earth had fallen.
He had mitens, Minjekahwun,
Magic mittens made of deer-skin;
When upon his hands he wore them,
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